" (Zulaika, 2003) Zulaika states that the:
central economic ideology was utilitarian laissez-faire - industry should be self-regulated and government reduced to a minimum. The maximum good would come through the unregulated, self-aggrandizing effort of every individual. With the pecuniary reward the only measure of social value, and with profit the only controlling agent, gross social inequalities took root." (Zulaika,2003)
It is related by Zulaika, that these "techniques of agglomeration" stretched across all sectors of life at work including the English factor waterpower system to the steam engine of Watts and the transportation system of the railroad with Bilbao and other port cities playing a role that was crucial "in the transformations." (Zulaika, 2003) Bilbao became an extension of the economic system of the British with growing populations in the areas of mining as well as along the railroad lines, which were newly built. Growth and congestion was stimulated by the great industrial centers with the two primary elements of the "new urban complex" being the factory and the slum.
According to Zulaika, the nucleus of the "urban organism..." was the factory and everything else was subordinate. The factory laid claim to the sites that were best placed including Bilbao's left bank and waterfronts, rivers and canals were "offered up to industry which used them as convenient dumping grounds, turning many of them into open sewers." (Zulaika,2003) it is stated that anyone who dared to complain about the noise or the dirt was merely labeled as a pansies "and Bilbao became the quintessential 'tough city'." (Zulaika, 2003) Zulaika relates that the novel of Blasco Ibanez entitled:
El intruso" is reflective of the primary difficulties between the cultures that are traditional and those that are modernist as well as between religion and science and between nationalism and socialism in the first part of the twentieth century. In fact, these tensions are important to understand the changes in the traditional Basque society as they became faced with the "...working class culture, industrialization, capitalism and irreligiosity." (2003
VIII. RELIGION and the BASQUE CULTURE
Zulaika sates that Ibanez "portrays the pernicious effects of religion on Bilbao's life, exemplified by the intrusion of priests into the household of wealthy businessmen by playing on the spiritual cravings of their wives." (2003) the truth is that in view of the traditional work ethic of the Basque, "business and piety complement each other." (Zulaika, 2003) Many religious fraternities which are stated to date back "to the sixteenth century" stand as a monument to the 'religious conviction of Basque entrepreneurs." (Zulaika, 2003)
The business elite in Bilbao in the nineteenth century were also characterized by the selfsame combined piety and industriousness. This is evidenced by mines being named after saints and private chapels being situate in the homes of private businessmen. Moreover, the children of these individuals often became priests and nuns and Rafaela Ybarra, a nun from the Ybarra family, a very wealthy family "was beatified." (2003) Furthermore, often large merchants stated in their will that they desired to be buried "wearing the habit of religious orders." (Zulaika, 2003)
IX. CONSUMPTION PATTERNS and EXPENDITURES of the BASQUE
Zulaika states that in order to understand the cultural values of the Basque business elite one must view their consumption patterns. Specifically stated is that a study "of twenty-one cases shows that the spending on 'furniture, jewelry, and clothing' accounted for only 1.2% of their total expenditures. Bilbao business elites lived rather modestly compared with the rich Madrid financiers." (2003) There was only one theatre in Bilbao and the theater was considered by the church to be "morally ambiguous." (Zulaika, 2003)
Music however, was a passionate pastime of the middle class and still is sustained as a "vibrant musical tradition" in Bilbao. (Zulaika, 2003) Mansions began to be constructed by the elite in the 1880s and 1890s and organized sporting clubs and events began to be very popular. The work ethic at this time ' was complemented by family networks at home and abroad, by a cosmopolitanism which kept them abreast of new technologies, and by the education their sons abroad, all of which facilitated the importation of new ideas and skills." (Zulaika,2003) Characterizing Bilbao's elite in business were "hard work, personal merit, education, and a disposition to invest rather than consume..." (Zulaika, 2003)
X. SOCIAL REFORM in BILBAO
Zulaika states that while "one reaction to the grime and corruption of industrial Bilbao was nostalgia for the archaic 'purity' of former agrarian life" the reaction just opposite was "the futurism of social reformers inspire by the ideals of Enlightenment." While Christianity was sided against...
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