Art
The Baroque period of art that flourished in the seventeenth century. Although the focal point of Baroque art was Italy and France, its influence was felt throughout Europe. In Italy and other heavily Catholic countries, Baroque art is characterized by overtly strong religious themes, emphasizing the power of the Church during the counter-Reformation. Baroque architecture in Catholic countries was often ornate. In Protestant regions like the Netherlands, Baroque art manifested in completely different, mainly secular forms that included subject matters such as those depicting daily-life scenes and especially the burgeoning bourgeoisie.
Realism as an art movement flourished primarily in France in the 19th century. Landscapes, cityscapes, and depictions of ordinary life were common subjects, with no attempt to embellish or idealize. Realism preferred also to highlight the real lives of the poor and working class. However, Dutch realism flourished much earlier, in the 17th century and differed significantly from French realism in that painters like Vermeer and Rembrandt depicted members of the merchant and upper classes. In both cases, though, painterly techniques were honed to the point where details were rendered with immaculate precision in order to show light, bodies, and objects as if with photographic detail.
There is a strong relationship between Baroque and Realism. Realism followed closely from Baroque Art, which stressed the importance of verisimilitude in depicting human forms and human emotions. Landscapes and portraits were rendered in ways that captured their actual light, shadow, and shapes. In fact, much Baroque art and especially Dutch Baroque painting is characterized by its realism as a methodology. Whereas much Baroque art focused on lofty subject matters including religious figures and stories, Realism was more interested in the realities of daily life. Moreover, Dutch Baroque art depicted the lives of the bourgeoisie, whereas Realism preferred to show how the poor and working class conducted their daily lives.
Caravaggio's...
Baroque Period Annotated Bibliography Chaffee, Kevin. "Baroque sights, sounds at the gallery." The Washington Times, The National Gallery of Art set up a spectacular exhibit of the Baroque period that included scale models of baroque-era churches, palaces, military forts and grand public buildings. They had problems getting nearly 300 guests through the enormous exhibit. The huge exhibit took up the length of two entire corridors on the main and ground floors of the
Thus, the five faces in "The Return of the Prodigal Son" are somewhat blurry. The overall effect is much more intimate and gentle than the brash and obvious messages in Caravaggio's work. Moreover, Rembrandt invites the viewer to contemplate the subject matter depicted in "The Return of the Prodigal Son." Caravaggio spells out emotion brashly on the canvas, whereas Rembrandt holds back. Unlike "The Crucifixion of Saint Peter," the mood
This structure contains a colonnaded dome, a Neoclassical version like that found at St. Peter's in Rome. However, although the entire building, both inside and out, reflects the Roman style, it is essentially Gothic. Another example is the Virginia State House in Richmond, designed by Thomas Jefferson (1743 to 1826) which resembles a Roman temple and is based on Jefferson's "admiration for the pure beauty of antiquity and as
art are closely enmeshed in the social and political culture of any given time. Hence the significant differences in different periods of art, and also the ability to differentiate between these periods. While changes between adjacent time periods may seem minor, they eventually accumulate to form wide differentialities between periods. Because human beings change, politics and society change, and therefore art will also be subject to change accordingly. As
Baroque Painters The Techniques of Five Baroque Painters The Baroque era painters, different as they were in terms of personal style, approach, and technique, had in common the ability to imbue their works with a certain dramatic quality much in demand in the era. The Baroque had followed on the heels of the High Renaissance with its humanism and emerging scientifically revolutionary theses. The Protestant Reformation had begun and religious and political
Renaissance and Baroque Periods The term Renaissance describes, not only a movement in art, but also a corresponding social and cultural movement that moved through Europe at the conclusion of the Middle Ages. The Renaissance period lasted from the 1400s to the 1600s, and spread through most of Europe, though it is probably the most heavily associated with Italy. The term "renaissance" means revival or rebirth, and the Renaissance did mark
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