" (Fabrikant, 2006) Through having transposed Bach's originally melody to the lower and middle layers "Busoni achieves a vertical layering of melodies from different genres..." (Fabrikant, 2006)
The top melodic layer is supplied by Busoni through creation of "his own or using imitation techniques. These melodies have a broken line and are organized in short motifs usually derived from the inner voices of Bach's score." This is utilized by Busoni in highlighting the chaconne-sarabande rhythm..." which used together results in the creation of "an unusual combination of polyphonic intensity" and develops the upper line dramatically enable the listener to appreciate the color and range of the music. The chorale theme which is quite stern is placed in the lower layer by Busoni and the melody which is fragile and placed atop the chorale results in an emphasis "on melodic disparity" which "opens Bach's parentheses and depicts Busoni's concept of the piece. " (Fabrikant, 2006) the melodic lien of the Chaconne is written by Busoni in unison for the purpose of building the volume and expressiveness.
SUMMARY & CONCLUSION
Busoni effectively extracted "musical arches...hidden in the Bach score" (Fabrikant, 2006) through the promotion of genres as a tool that is recognized in pinpointing the...
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