Asian Museum Exhibit
The Museum of Asia and India (MIA) is proud to host the traveling exhibition of Art and Society in Japan and China: Floral Representation through the Centuries. The exhibit will run for three months at the MIA before traveling to other venues across the globe in the two-year schedule. Museums in Amsterdam, Copenhagen, London, Madrid, Munich, New York, Nice, Oslo, Prague, San Francisco, Sydney, Toronto, and Zurich will play host to the special exhibit from November 2011 through May of 2012.
The exhibit provides glimpses into the impact of religion, philosophy, language, and culture on Asian art. With artistic grounding in writing as an art form, Chinese and Japanese art often includes the written word as a visual element in art. Often, the writing conveys a wise aphorism or a blessing that exists harmoniously with the subject of the art. The influence of Confucius in Asian art is often apparent in the rendering of subjects that shows an acceptance of the subjects' positions in their lives. Even those who live out their lives in the lowliest positions are...
Gayatri Gopinath, associate professor of women and gender studies at the University of California at Davis, says that many of these young Asian-Americans who join artistic subcultures are individuals who cross over from one country to another in addition to not fitting into the norm of gender, sexuality or psychology. A first-world homosexual transnational has difficulty finding rights of citizenship or dual citizenship in any geographical locations of a diaspora
Some Chinese researchers assert that Chinese flutes may have evolved from of Indian provenance. In fact, the kind of side-blown, or transverse, flutes musicians play in Southeast Asia have also been discovered in Africa, India, Saudi Arabia, and Central Asia, as well as throughout the Europe of the Roman Empire. This suggests that rather than originating in China or even in India, the transverse flute might have been adopted through the
In a short time, China has firmly grown into a superpower. Therefore, the title of the exhibit in relation to the content is possibly ironic. On the one hand, China is growing in power and influence globally, but on the other hand, the people of the country are still suffering and living harsh or brutal realities, as illustrated in many of the photographs that compose the exhibit "Rising Dragon." There are
Women's Museums The National Museum of Women in the Arts in Washington is a museum specifically focused on bringing a gender-focused study to the achievements of women in the different artistic fields, whether literature, visual art, or performance art. The museum highlights the achievements of women artists by collecting and showcasing paintings and sculptures (the museum boasts a collection of 4,5000 objects created by women), presenting "10 world-class exhibitions of
Chinese Community The Paradox of the Chinese-American Community in San Francisco -- a New Province of an Ancient Land is Created Upon American Shores What does it mean to be Chinese-American? Perhaps, to answer this question it is best to ask what it means to be Chinese. To be Chinese in China means to speak with a Mandarin, Cantonese, or another dialect particular to one's region and location in that vast land.
The author has also argued that Chinese culture disapproved the theory of cultural evolution, which has been accepted by many societies. The article looks at the contentious nature of anthropology in the 1990s, where China feared that modernizing forces would destroy its traditions and values. However, with time the Chinese people in China have influenced social change by developing technologies that have affected people's culture. As much as the
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