¶ … Art to Tanzania people
Art and Culture of Tanzania
Every country has its special features and certain interesting facts about its history and legacy. This paper discusses the unique country of Tanzania in the continent of Africa and describes its culture and history. Certain doctrine point out that the mainland of Tanzania was named by a British civil servant in the year 1920 and its name was derived from the words in Swahili language, tanga, meaning sail and nyika, meaning bright and plain. This place had a very intriguing and unique culture of people, who had a long history of existence and had preserved their identity. This place came to be known as a Tanganyika Territory, which was formerly a German East African area. Later in 1964, Tanganyika was joined with Zanzibar, which was an archipelago of islands off the coast of eastern Africa1.
This was a very interesting development in terms of a land that held the interests of almost all major colonial power, because of the strategic location of this area1. This served as a perfect harbor and halt on the route from Europe to Southern and South-East Asia, where regular trade was carried on between the European colonial powers and Asian countries. By the 19th century, almost every country in Asia was under colonial or capitalist control, and there were crucial ties taking place in the area. Tanzania posed as a perfect location for harboring and related activities. Apart from geographical location, there were other reasons which interested European and Western powers towards, Tanzania, which were associated with the native population of Tanzania, and the fact that these people were very loyal in nature in general1. They were known to make perfect subjects and had always served their rulers and political superiors, which is acknowledged as a perfect trait among subjects of any region. The art, literature and music of this region are very rich in terms of cultural implications and values, and it has a long legacy of its own. Although in modern time, after it being established as an independent nation and being declared as the United Republic of Tanzania, there are many changes, which have taken place, which has shaped this nation2.
National Identity of Tanzania
There are certain very interesting facts, which are associated with the national identity and existence in Tanzania, which makes it very different from the other African countries. The national dialect or language, which is chosen in the republic, is that of Swahili. It is a very strong integrating factor, which provides a common sense of belonging to major part of its population, and it is chosen to be spoken in more than half of its schools and other educational institutes. One of the major factors, which differentiate the Tanzanian culture and population from other African countries, is that almost 83% of its population is literate and aware of educational benefits2. This is a very strong and important factor in any nation's culture, which reflects the true identity of its people and the general populace. In such a rich culture and educationally strong social setup, the meaning of family and family hood is understood and promoted among the general masses. Although the socialist setup and general sense of socialism has been a total failure, and has resulted in a difficult social setup of the country and population of the villages is leading a very different life, as compared to other places1.
Inside the outskirts of Tanzania, there exist together around 120 ethnic gatherings talking dialects speaking to every one of the four noteworthy African dialects bunches. These incorporate Khoisan, or "click" speaking seeker gatherers, Nilotic-talking, for example, the Maasai, Cushitic speakers, and Bantu speakers; the last prevail regarding populace size. The biggest ethnic gatherings incorporate the Sukuma, and the Chagga, Haya, and Nyamwezi with in excess of one million each. There are sure exceptionally fascinating truths, which are connected with the national personality and presence in Tanzania, which makes it altogether different from the other African nations. The national vernacular or dialect, which is picked in the Republic, is that of Swahili. This is an exceptionally solid and critical element in any country's society, which reflects the genuine character of its kin and general masses. In such a rich society and instructively solid social setup, the significance of social belonging is comprehended and advanced among the general masses. Despite the fact that the communist setup and general feeling of communism has been an aggregate disappointment, and has brought about a troublesome social...
Three examples come to mind: the aboriginal art of the indigenous peoples of Australia, the native art of Central and West Africa, and some of the cave paintings from Lascaux. Like Anderson, each produced colorful, realistic, yet unique depictions of nature and animals. Shown here from left to right are Australian Aboriginal Art, Folk Art from Tanzania, and a poster of one of the Cave Paintings from 10-15,000 BC
Expatriate Debrief While in Berlin, I visited a large art museum where, as in most parts of Europe, I was surrounded by people from all over the world. Docents guided small groups of people through the museum, talking about the art in the native language of the groups of people. A group of Japanese people were guided by a quiet, polite, and diminutive middle-aged woman. I don't understand Japanese so I
In essence, cultural values across Argentina demand for observation, tolerance, and understanding. The tingo dance for example is one of the nonverbal communications. Argentines also like engaging in activities that give them a sense of belonging (Foster, et al., 18). Part 3: Africa, Tanzania Cultural norms are patterns of behavior that specifically are typical to a given group. They are shared, sanctioned, and integrated systems of beliefs and practices. These behaviors
To this point, Chouliarki (2000) argues that "the facilitation of deliberative processes among audiences is a matter not only of changing institutional arrangements (towards a regulation of marketized media) but also of changing the mode of articulation of media discourse itself; even though the latter may be a consequence of the former, each is a sine qua non-for deliberative democracy." (Chouliarki, 293) To an extent then, these approaches to language
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This suggests that the company uses exoticism and a romanticism of Africa as a marketing strategy, even while not fully recompensing the tribe for their inspiration for the product. The name of the shoe implies a connection, even though none exists. This seems blatantly unfair to the Masai as creators. Dwumfour says that the Swiss company does support charities that contribute to the tribe's well-being, but giving charity to an
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