¶ … artist must take a stance in the world. He or she must present himself from a vantage point, a perspective, that identifies him or herself and from which he is able to convey his or her sentiments about whatever topic is at hand. This sense of identity and the vantage point it affords Lucille Clifton and Etheridge Knight are fairly obvious in their poems "adam thinking" and "The Violent Space (or when your sister sleeps for money)," respectively. It is also what would more than likely cause Groddeck to say that their poetry is that of a dying tradition. This fact is certainly true in Clifton's poem. This poem is clearly written from a feminist perspective which is not at all inclusive of the democratic values that Groddeck celebrates. The interesting thing is that although this poem champions feminist values, it is narrated from the perspective of a man. Moreover, it is narrated from the first man in existence, Adam, whose rib was allegedly...
Virtually all of the connotations of Adam's references to Eve and to womankind are negative, which merely reinforce the feminist notion that men are oppressors, do not truly like them, have little use for them etc. Eve is described as "stolen" (Clifton) from Adam's rib; the negative connotation of this word implies that Eve has done something wrong even in her initial act of creation. Additionally, Adam wants to put his rib back where it was before Eve was created, so that Adam can "be whole again" (Clifton). This passage implies that Adam has effectively lost something via the creation of Eve, and is somehow wrong or not proper since he is no longer whole. All of these negative connotations attest to sentiments of which feminists readily accuse men. As such, it is not inclusive of the new tradition of democracy that Groddeck proclaims has emerged in America, since it is so firmly entrenched in the author's…
" In other words, that art springs from within, rather than must be supported from without. The author places the blame for female artists to be culturally central squarely upon culture itself, specifically Western culture's failure to create systems of educational nurturing for females. "The fault lies not in our stars, our hormones, our menstrual cycles, or our empty internal spaces, but in our institutions and our education -- education understood
Death penalty is generally conceived of as the supreme legal sanction, inflicted only against perpetrators of the most serious crimes. The human rights community has traditionally held a stance against the death penalty for a wide variety of reasons: critics argue that the death penalty is inhuman and degrading; that it is inappropriately applied and often politically motivated; and that rather than reducing crime, the viciousness of the punishment only
Metallica "Blackened" At first glance, a heavy metal band like Metallica may not be an obvious candidate to be promoting good-for-you, good-for-the-earth causes like reducing pollution and saving the Earth from destruction at the hands of lazy humans. And yet, hidden deep within the rock guitar and tough-guy exterior of the band lies a group of artists who are passionate about how humankind treats the Earth. Like many other musicians, the
One party may take power away from the other. One party may lose power. This interaction or exchange leads either to equilibrium between the wielders of power, or to disequilibrium and imbalance. One can take Coleman to be saying that power is an element of exchange (or retraction) within the field of conflict. It is like the goal struggled for between two opponents on a sports pitch. It includes
Arts The American poet and art critic John Ashbery, in what is perhaps his most famous poem ("Soonest Mended"), sketches what he has described as an "everybody's autobiography," in which his characteristically postmodern approach to narrative style (leaping from comic strip to novel to abstraction in this passage) seems to question the value of the very concept of "information": And then there always came a time when Happy Hooligan in his rusted
The author sees these unseen texts as significant and a possible indication of the artist's private views and influences. What is clear is that this book differs in approach to cubism from the work by Karmel. Staller has amassed a wide range of information and contextual data, which includes many aspects of culture that could be seen as an inspiration and an impetus towards cubism. Karmel on the other hand
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