Perhaps she realized her husband did not really love her. or, she may have realized that her married her simply to convert her, and she chafed at giving up her own culture and roots. Probably, she followed him willfully as his wife (and as a woman's duty), but she could have found that marriage without love is not nearly as satisfying as a loving relationship, and she may have been disappointed and disillusioned, something that clearly shows in her proud features. Whatever the painting explores, it shows a rigid and seemingly unhappy woman, and this seems to mirror many women's lives at the time. They were subservient to men, and even more, they played little role in most of society, and so, they were not masters of their own fates or well being. They could not own property, they could not vote, they could not hold office, and most of all; they rarely had the ability to live on their own. Even their artwork was different. As the text author notes, their artwork was made up of "quilts, needlework, small watercolors, and private mourning images" (Bjelajac 120). Even quality artwork was off limits to them, and so, they contributed little to the art world,...
They show women who were devalued in society, and whose most important job was marriage and motherhood, with little else to fulfill or nurture them. They show that women have been devalued throughout American history, and expected to give up their own needs and wants for those of their husbands and families. While Liberty does hand out benevolent information to free blacks, they appear more as dependent children in the work, dependent on the "mother" figure to hand them information and knowledge they can use in their own lives. Both women in these works are depicted as austere and unsmiling, and both are depicted in detail, but the detail of their surroundings is more important. This mirrors women in society, they were not as important as their families and husbands, and their main purpose was to raise young men to be good leaders.Fine Arts Los Angeles Fine Arts Building "Form follows function" may be a cliche nowadays, one that's parroted in chic commercials for high-end, luxury sedans, but at some point, before the phrase devolved into a catchphrase for Cadillacs, it had real meaning. The architects who designed and built the Los Angeles Fine Arts Building knew what it meant, and they applied that philosophy to their stunning 12-story masterpiece in the city of
Thus, we assume that children gifted in the arts are every bit as intellectually endowed as those with academic gifts. The relationships among giftedness, talent development, and creativity are challenging areas of research. Because researchers lack consensus about what constitutes creativity itself, progress in developing operational definitions of "creativity" has been slow (Clark & Zimmerman, 1992-page 344; Csikzentmihalyi, 1996; Hunsaker & Callahan, 1995-page 2). Although some scholars agree that creative
The line that forms the corner of the wall behind her is much more definite and concrete, but it almost appears as though there has been an attempt to obliterate notions of line in the woman herself -- the folds of her clothes resist any distinguishability. The different uses of line by these two artists also show up in their simple geometry. In his self-portrait, Picasso uses almost no curved
Henri Matisse Still Life after Jan Davidsz. de Heem's 'La Desserte' Henri Matisse was one of the great "colorist of the 20th century" and is one of Picasso's rivals in the area of innovations. Matisse is reported to have "emerged as a Postimpressionist, and first achieved prominence as the leader of the French movement Fauvism." (The Art Story, 2011) Matisse was interested in Cubism but rejected this seeking rather to use color
At this level, focus should be on meeting the needs of the graphic design industry. It is at the graduate level where intense discussion of theory should be developed. I agree with Frascara on this point. In most disciplines, such discussion is typically conducted at the graduate level. The average graphic design student can benefit from this work where applicable, especially if Frascara's proposed reference centers are created. One of
Still, Mohist impact was considerable. The Legalists embraced the Mohists' authoritarian concepts. The Confucians and Taoists both acquired meaning and intensity from responding against Mohist rulers. And the universalistic social vision of Mohism helped motivate comparable propensities in later on, post-classical Taoism. In addition, Chinese reformers of the nineteenth and twentieth centuries, typically discovered Mozi an interesting exemplar of the committed social reform (Kirkland, p. 4-5). The idea of reform
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