Art vs. Science in Education
Teachers and other educators have been debating what makes an effective teacher for as long as the profession has been recognized. Certainly in the last century, the topic of what makes a good teacher, and what comprises good teaching, has been an important topic in colleges of education. Because the role of a teacher is so important, the topic of what constituted good teaching has been looked at philosophically, from the viewpoint of pedagogy, and through empirical research. The result has been a large supply of books and articles written about how to teach, how students learn, what techniques teachers should use and what makes for the best teaching materials.
Into this mix must be included the personal qualities an individual must possess if he or she is to be an effective and compassionate teacher (Banner & Cannon, 1997). On top of everything else, teachers are role models for the students in their classes (Ayres, 2000). The long list of qualities and skills good teachers must possess are daunting, and only some of what a teacher needs to know can be taught as part of a college education. However, teachers can be taught some of the science and some of the art of what it takes to be a good teacher. By "science" is meant the things that have been proven to be true about teaching, particularly those things described as "best practices" -- approaches proven to teach the majority of students effectively. By "art" is meant the sum of experience, judgment and instincts a teacher brings to the classroom in the implementation of those best practices.
SCIENCE OR ART?
Bellanca (1998) divides the characteristics of effective teachers into two clusters: the art of teaching, and the craft of teaching. This may be a misleading dichotomy as some factors from both groups as described by this author can be or have been demonstrated in research, while some in both groups have not been. He reports that good teachers are "democratic," but it could be asked: how democratic can a classroom be? The students cannot vote on which parts of a year's curriculum will be covered and which will not. In music, for instance, they would focus on modern popular music and learn little about the great music of the past. There are certainly opportunities for instances of democratic action, but does its presence or absence contribute to how well students learn? However, Bellanca makes it the first thing on his list. Whether documented as a "best practice or not, it is important to Bellanca. He suggests that good teachers should be compassionate toward their students, flexible, and passionate about what they teach. It seems likely that such approaches are reflected in research and might well be part of "best practices." However, he also states that good teachers are "a champion of children's daydreams." Is this part of the art of teaching? What is meant by "daydreams?" Some children daydream about skipping school, while others daydream about writing a book or going to college, or being the best motorcycle mechanic the town has ever seen.
The difficulty of identifying what good teaching is and is not is demonstrated by Bellanca (1998) when he describes how one individual's view of teaching shifted over time. At one time the teacher said, " ... my job is to cover the content ... " and described traditional testing and evaluation to determine grades. Some years later the same teacher said, " ... my job is to interest students in the value of this [subject]. This is much more than giving them information to spit back out on a test or quiz. I have to help them understand how all the information fits together and why it is important. I also have to help them get as excited ... As I am ... ," listing a variety of teaching and evaluative approaches. Bellanca notes that the newer approach is based on Howard Gardner's theory of multiple intelligences. However, Gardner's theories have not been widely proven across a broad spectrum of teaching situations and educational goals. The approach looks like science, but is it? Gardner is a well-respected psychologist who presumably knows what he is talking about when he discusses the nature of intelligence....
Arts Education in California public schools have become a permanent feature in advancing their extra curriculum. It seems to benefit majority of the students, as such a subject is helpful in exercising a kids' mind while concentrating on other area. Though the governor of California needs to allocate monies for such programs so that in the upcoming years more students can benefit by participating in these areas. Education- Curriculum Arts education is
A number of modifications have occurred within the area of arts instruction, leading to a redesigning of the whole curriculum. A few transformations involve modern trends like literacy training via art, worldwide popular culture, 21st-century abilities, social justice, art evaluation, cultural diversity, and interdisciplinary approaches. Teaching Literacy through Art According to Moody-Zoet, art-teaching offers distinctive and useful intellectual behaviors and skill sets which aid in the learning of other academic disciplines. The
Bauhaus After World War I, the nation state of Germany under the direction of architect Walter Gropius created a "consulting art center for industry and the trades" (Bayer 12). Called Bauhaus, "house for building," the school combined the role of artisans and craftspeople and included everything from architecture to theater to typography. When the school was forced to close during the Nazi regime in 1932, many of its artists moved to
Community Art Education The objective of this study is to answer the question of what are the conservative, liberal, and progressive philosophies undergirding the current (1990-present) debates in community arts education? Specifically, this study will address whom is and whom is not advocating for Arts education and why. Timeline of Arts Education in the United States The progressive era was a time involving political reform and social activism during the period between 1890
Learning Objectives for Adult Education Managing and Exploiting the Impact of Classroom Diversity in Adult Arts Education As the American population becomes increasingly diverse, so goes classroom diversity (Cooper, 2012). By the end of the current decade, a White majority will no longer exist among the 18 and under age group. This rapid progression towards a plurality has already impacted primary schools, but the trend toward increasing diversity is beginning to affect
Liberal Arts Education Should College Students be required to take Courses Outside of Their Major Field of Study? An education that lacks of a world view may be more harmful than meets the eye. One could reasonably argue that the question of whether diversified educational background has value is highly dependent on what you value. There are a multitude of monetary reasons for an incoming freshman to concentrate on a specific field
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now