Art
"Rural Electrification" by Bess Bingham Hubbard is a lithograph created in 1942. Unfamiliarity with lithography in general, and from this era in particular, is the primary reason for choosing this particular work. Moreover, the subject matter of the lithograph is poignant, as it juxtaposes rural simplicity with the intricacies of the modern world, symbolized by the power lines running through the farm.
The monochrome element of lithography reminds the viewer of the lack of color and thereby strips down the art to its core themes. Rendered using only the grey scale, "Rural Electrification" speaks volumes about the nature of rural life in America. The viewer knows that earth is brown and grass is green. Hubbard wants to direct the viewer's attention away from nature, to focus on more abstract principles like modernization and change. Using a lithograph and grey scale, Hubbard achieves the goal of stripping down the work to essential thematic elements.
Likewise, time and motion are also main elements in Hubbard's "Rural Electrification," which hints at the eternal nature of farming communities. Farms like the one depicted in "Rural Electrification" adapt according to advancements in technology. This is why the windmill is included in addition to the power lines....
Ancient Greek art has survived most successfully in the forms of sculpture and architecture, as well as in such minor arts as coin design, pottery and gem engraving. Greek architecture relied on two main styles, namely the Doric and the Ionic. The names were given by the Ancient Greeks themselves, who believed that these architectural styles were derived from the gods (Chase: 122). Ancient Greek art has survived most successfully
C.E., is an outstanding example of "the sedate, idealized manner now recognized as Augustan," a reference to the Roman emperor Augustus of the early Roman Empire period. Thus, this marble statue symbolizes Augustus "proclaiming a diplomatic victory to the citizens of Rome" (Kjellberg, 1968, 245). Artistically, it is of the highest quality, much like the Doryphoros, and was probably executed by a Greek artist which explains why it is somewhat similar
Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome
The overall affect the facial configuration gives the gazer is of wise man in repose of thought. But the piece is not beautiful in the conventional sense. It is realistic in its slightly unbalanced facial formulation. The emperor Marcus Aurelius is slightly bearded, with unruly, curly hair. His small and slightly bulbous nose is not the idealized, hawk like profile favored by the elites in their portraiture. His thick,
The artworks prevalent during the early Middle Ages in many ways stand between these two extremes. The art of this period was one that was both religiously inclined but also celebrated the human form and human nature that was to become so prominent in the Renaissance. In many ways much of early Medieval art was similar to the abstract and decorative art that we find in Islamic examples. An example
Art Please take a close look at two paintings of storms: Watteau's the Storm painting comparison Watteau's the Storm and Delacroix's the Sea of Galilee The two paintings in question refer to different time periods in art history and more importantly, to different views about art and life. These views are also reflected in the style and the technique of the two paintings. Art is often a reflection of the times in which it
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