Saddling them with the idea that every work must have some kind of recognizable theory that speaks to the viewers may be too much for some artists to manage, and it could shut down their creative process. As another critic notes, "[I]n Western culture, after all, art is associated with the free expression of a unique vision or the pleasurable cultivation of individual tastes" (Williams 2004, p. 3). Thus, by branding a theory on a piece of art, the artist is pigeonholed into a certain genre, which reduces their "free expression," and the viewer is not as apt to enjoy the art according to their "individual tastes." In conclusion, it is fine to have a theory when creating or admiring art, but that theory challenges creativity and the enjoyment of the piece. If a viewer or an artist is so busy attempting to figure out the theory of a piece that it gets in the way of the enjoyment or creativity of that piece, then theory has gone too far. It can guide the artist, but it should never overpower the artwork or the creation of that artwork. To enjoy art just for art's sake is the highest complement to...
2003, Art Theory: A Very Short Introduction, Oxford University Press, Oxford, England.
What inspiration and creativity will the next generation of artists utilize in forming their great works and how will the world perceive their masterpieces. Art Compilation Book Conclusion After completing this course I can honestly say that my educational horizon has been expanded. Exploring the vast world of modern art and observing the strange yet innovative techniques used by modern artists has only inspired my personal pursuits and desires to implement
ART CRITICISM AND THEORY: Question: How constraints practices artists/designers/architects influence make? Make reference TWO response: - Site - Views art critics historians - Historical precedents - Materials technologies - Time - Audience expectations. Post-modern art and theory Artists in the post-modern era realized that they dealt with a lot of pressure coming from the public and that it was important for them to employ attitudes that would reflect positively on their works.
Art History - High Renaissance The contextual knowledge of the era of High Renaissance and Mannerism is important as its integral to any study of work emerging from the period. The Renaissance movement took place in Europe from the early 14th to late 16th century, which witnessed a revival of interest in the values and artistic styles of classical antiquity especially in Italy. Early in the movement, the concept of Renaissance
Art History The clouds gleamed gloriously, as if they were smiling to greet newcomers to heaven Leonardo da Vinci and Michelangelo Buonarroti. The two artists sat rather impatiently in the heavenly waiting room, and they refused to pick up any of the literature that lay strewn on the gilded coffee table before them. This is ridiculous," grumbled Leonardo, who in spite of his age lacked no luster in his eyes. "I am
On the other hand there is another side to the vision of human life. There is the experience of human joy and happiness that also has to be taken into account. We find this side in works that resonate with color, joy conviviality and friendship. In this exhibition works by Renoir and Picasso have been selected to show this side of the human condition. In this context the famous painting
In essence, this painting "mixes a toothpaste smile with the grimace of a death's head" and symbolizes the true work of an American "action" painter (de la Croix & Tansey, 774). Another great example of an American abstract expressionist master is Mark Rothko (1903 to 1973), who emigrated to the United States in 1914 from Latvia with his family to escape Czarist Russia and its strict policies towards Jews. Although
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