Art Compare
The author of this report has been asked to answer two distinct questions as it pertains to some pieces that are in the Art Institute of Chicago. There are a total of three questions from which the author will select two. The selected question from the optional pair will be about the Aesthetic Movement pieces offered by Herter and Godwin. The other question will center on a compare and contrast between two pieces that are in certain galleries from both the American and European Decorative Art sections. The two works selected for the second question are to fall under the "related but different" paradigm such as two vases, two chairs or something else common. While the pieces of art in the European and American art galleries are quite different, they tend to be related in many ways as well including the motive behind the designs and how they looked towards the future of what was then modern design.
Analysis
Gerter vs. Godwin
The selected question from the first two options talks about the American piece from 1978 made by the Herter Brothers and the E.W. Godwin piece made in 1876 from the European gallery. The Herter offering is a cabinet while the Godwin offering is a sideboard. The pieces are in the same general realm of furniture and are from the same decade but they are vastly different in terms of how they look. Even so, the pieces are considered to be from the Aesthetic Movement and the author of this response is asked to explain why. Of course, the Aesthetic Movement happed roughly in the late 1800's and early 1900's. The movements as manifested in both Europe and the United States are glommed together for a major reason. The European reactions to this movement came from the Industrial Revolution that occurred in England. A similar movement happened in the United States at roughly the same...
Whereas Plato believes that art is by definition imitation of life, Cezanne believed that the role of art was not to imitate or copy life but to enhance it, contribute to it, and comment on it. Cezanne said that art was a "harmony running parallel to nature," not a method of imitating nature (Art Institute of Chicago). Cezanne assumed a deconstructionist approach to art, which would eventually inspire the all-out
Evaluating Art Francisco Goya’s “The Sleep of Reason Produces Monsters,” plate 43 from Los Caprichos, 1797/99, is available for viewing at the Art Institute of Chicago. This etching on ivory print paper (301 x 207 mm) depicts an individual asleep at his desk as the creatures of his mind rise up around him, overshadowing him with their nightmarish dimensions (Art Institute of Chicago, 2018). The animals that surround the man are
SAIC (School of the Art Institute of Chicago) personal statement One of the most exciting aspects of studying the field of design and architecture is its collaborative aspect. No building is constructed alone; rather the structure that is produced is the result of the combined effort of designers, architects, sponsors, and ideally the community where the building is going to be located. This is why I am so eager to become
Splashes of color like red and several shades of blue are added to the collage in a "dragonfly, wing-like" formation. A cutout photograph of a boy is pasted on the "wing" of a lighter shade of blue, perhaps to note a sense of calm to his surroundings. The Hawkins' exhibit will consist of 80 objects, a retrospective of his nearly a quarter of a century career. The work is described
Art Impressionism in art developed in the 19th century. Impressionist paintings were characterized by visible brush strokes, and subject was drawn from ordinary life and outdoors, rather than being confined to still life, or portraits and landscapes drawn in studios. Emphasis was laid on the effect of light changing its qualities as well as movement. These characteristics of impression can be well observed in the works of art by Gustave Caillebotte,
Art / Claude Monet PAINTING The Japanese Footbridge and the Water Lily Pool -- by Claude Monet Claude Monet's painting The Japanese Footbridge and the Water Lily (given above) is the scene of his residence in the village Giverny near Paris where the painter purchased a property of his own. He started to build a water garden which is now open to the public which is a Lily pond arched with a Japanese
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