Verified Document

Art In The Age Of Mechanical Reproduction, Term Paper

¶ … Art in the Age of Mechanical Reproduction," Walter Benjamin attempts to describe how the advent of industrialization has changed the way art is produced, transmitted, and received, and the effect these changes have had on the notion of art itself. Benjamin's argument centers around the notion of a work's "aura," or "the unique appearance of a distance," meaning the unique, individual experience of a work in time and space that cannot be reproduced in the same way that the work itself can (Benjamin 2004: 795). In order to better understand Benjamin's notion of aura and the way photography, film, and other reproduced images contribute to its decay, one may consider an image of Benjamin himself as a case study in changes produced by the mechanical reproduction of art. When Benjamin talks about "distance," he is referring to distance not only in terms of space, but also time, because the particular historical context and origin of a work of art prior to the age of mechanical reproduction contributes to its aura in the same way that its distance does, with the only difference being that the viewer perceives the temporal distance somewhat less directly than the physical distance. Because a work's aura is dependent on, and in some ways made up by "its presence in time and space, its unique existence at the place where it happens to be," mechanical reproduction cannot help but diminish it, as reproduction simultaneously unmoors the image from its original time and space (Benjamin 2004: 793). This is actually how Benjamin introduces and formulates the concept of aura; namely, by identifying it as the thing that mechanical reproduction destroys or diminishes.

After initially describing the concept of...

Benjamin notes that over the course of human history, art went through a transition from being primarily a magical or shamanic tool to being valued as an art in and of itself (Benjamin 2004: 795-798). In the former case, art was appreciated primarily for its "cult value," but this changed as methods of production changed (Benjamin 2004: 795). In a similar way, the mechanical reproduction of art has precipitated another change in the use and value of art, because as a work's cult value decreases along with its aura, its "exhibition value" increases, precisely because the work can now be exhibited in any time or space (Benjamin 2004: 798).
To see this process in action, one may consider a photograph of Benjamin himself, taken by Gisele Freund in 1937, at the National Library in Paris, France. In his own analysis of Benjamin's work Subhash Jaireth examines this photo alongside a painted portrait of Benjamin in order to discuss the intertextuality of works in the age of mechanical reproduction, and his argument that images now "quote and cite each other" is informative (Jaireth 2003: 36). In the same way that two portraits of Benjamin might quote and cite each other, reproductions themselves serve the same purpose, because they each serve to reaffirm and comment on the simultaneously identical and individual nature of each reproduction; that is to…

Sources used in this document:
Reference List

Benjamin, W. (2004), "The work of art in the age of mechanical reproduction." In Brudy, L. & Cohen, M. Film Theory and Criticism, 6th ed, Oxford University Press, Oxford, pp.791-

Freund, G. (1937),Walter Benjamin a la Bibliotheque nationale. Available from:

http://www.flickr.com/photos/kraftgenie/4826839342 / [Accessed: September 27, 2012].

Jaireth, S. (2003), "What Is There in a Portrait? Adami's Benjamin, Seliverstov's Bakhtin and the Aura of Seeing and Showing," Journal of Narrative Theory, vol. 33, no. 1, pp. 33-47,112.
Cite this Document:
Copy Bibliography Citation

Related Documents

Art Diminish in an Age of Mechanical
Words: 824 Length: 2 Document Type: Essay

Art Diminish in an Age of Mechanical Reproduction? Walter Benjamin believes that the aura of an original work of art diminishes in an age of mechanical reproduction because the work of art is decontextualized from its original context as a result of mass production. At first blush, Benjamin's argument seems very compelling. After all, few could argue that seeing a work of art in a majestic setting, like the Louvre,

Reproduction of Art in the
Words: 1301 Length: 4 Document Type: Essay

One of the main facts mentioned is the meaning and an interpretation of the work of art is more dependent on the owners, who more influence the meaning. From here, the fact presented by Benjamin of influence of capitalism on art is being reasserted (Sturken, Douglas and Cartwright, 75). 2. Lawrence Levine's "William Shakespeare and the American People" Art is not reflected in the form of painting or films, but writers

Art Form and Art
Words: 679 Length: 2 Document Type: Essay

Art in the Age of Mechanical Reproduction," addresses changing views and its impact following photography and film's emergence in the previous century. The author addresses sense changes in mankind's overall way of life, how humans view and understand visual artworks differently now as compared to before, and its effect (which is yet to be identified). Further, he addresses the lost authentic aura, owing to artworks' mechanical reproduction. This aura

Art in the Age of
Words: 1030 Length: 3 Document Type: Term Paper

There are expressed their feelings through different work of art such as filming. Through films, they used actors and actresses to manipulate the story of the film. And thus through the facial expressions and their actions people watching it can get the whole picture of what the story was all about. One of the first to sense this transformation of the actor by the test performance was Pirandello (Benjamin

Art in the Age of
Words: 2001 Length: 6 Document Type: Essay

Similarly, the phases of the image evolves from art reflecting basic reality, through three progressive stages that culminate in art that has no relation to reality at all. The same happens with utopian and science fiction writing. The first stage requires no such writing, as the world is viewed as utopian in its current state. The second stage recognizes the world as imperfect, and compensates for this by means of

Analyzing Art and Death the Chinese
Words: 1359 Length: 4 Document Type: Research Paper

Art and Death: The Chinese Portraying death to children In the preschool age, educators seldom broach the topic of death. However, some picture books for kids directly address death and related issues. Their current approach is worth utilizing as reference. Book presentations follow the steps: comprehending death with preschoolers' internal experiences, slowly probing into what death means in the eyes of preschoolers, and expanding on the subject by seeking the continuance of

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now