In essence, this painting "mixes a toothpaste smile with the grimace of a death's head" and symbolizes the true work of an American "action" painter (de la Croix & Tansey, 774).
Another great example of an American abstract expressionist master is Mark Rothko (1903 to 1973), who emigrated to the United States in 1914 from Latvia with his family to escape Czarist Russia and its strict policies towards Jews. Although Rothko was a friend and contemporary of Pollack, Kline and de Kooning, his paintings exhibit none of the aggressive attack or slashing brushwork one finds in the works of these artists. Rothko's Four Darks on Red does not exhibit the usual traits of "action" painting, for it shows a calm and contemplative mood with soft color variations, yet it also shows "a mysterious effect of forms and images occupying an ambiguously-defined space," much like Kline and Pollack (de la Croix & Tansey, 775).
Overall, Rothko's paintings are more concerned with the actual process of applying paint to a Another exceptional American abstract expressionist painter who was somewhat more formal with his paintings is Stuart Davis (1894 to 1964), the first American painter to incorporate cubism with abstract expressionism. His long and varied career began with some exhibits in New York City in 1913 which "introduced modern art to the general public in the United States." Although Davis at first focused on collages, he quickly moved to abstract expressionism by eliminating all recognizable forms and...
Pollack and Rothko The 1930s art world enjoyed several different creative styles. The Social Realists painted works that normally depicted a social message and, with Edward Hopper, even oppression. The Regionalists also felt a need to show the trials of daily life. However, others began to see things in greater abstraction. Hans Hoffman was interested in expressive abstract art, and the American Abstract Artists favored a more mathematical perspective1. By the
Abstract Expressionist Painting Artistic and Aesthetic Value in American Modernist Art during the Cold War Era Defining American Expressionism American modernism is perhaps one of the most difficult artistic periods to define. Modernism refers to a trend that affirms the power of human beings to create, shape, and make improvements to their environment. Modernism is aided by technological advances and is considered both progressive and optimistic in its approach to defining society. American
Like many of the Pop Artists, Hockney frequently experimented with the media of his work, delving into both photography and film, and even set design. Photography, film, and other new media have proved to be a 'natural' outlet for Pop Artists. Since Pop Art cannibalizes the subject matter of popular culture, using the other tools of popular culture such as reproduction and the moving image seems like a natural progression.
Art History: Post War The global impact of the Second World War II on the society, politics, culture and technology was reflected how art produced after 1945 was changing in appearance and feeling. The rapid significant changes were a reflection of the intense and sometimes radical responses made by artists. Artists' works during this period responded to or questioned the nature personal and national identity, gender/race issues, the emergence and
Art History Roy Lichtenstein -- Stepping Out is a painting done in oil and magna on canvas by Roy Lichtenstein. (Magna is a plastic painting product made of permanent pigment ground in acrylic resen with solvents and plasticizer. This material mixes with turpentine and mineral spirits and dries rapidly with a mat finish) (www.artlex.com/ArtLex/M.html).Painted in 1978, this work is 85 inches in heighth and 70 inches in width, 218.4 cm by
Mull over the relationship between art and popular culture since 1950. Focus your discussion on 3 or 4 artists. The world of art has seen two distinct trends in recent decades since the mid-20th century. On one hand, high art has become less central to most people's lives. Other, more visceral forms of popular media have claimed the attention of the public in the incarnations of photography, film, and television.
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