Art History - High Renaissance
The contextual knowledge of the era of High Renaissance and Mannerism is important as its integral to any study of work emerging from the period. The Renaissance movement took place in Europe from the early 14th to late 16th century, which witnessed a revival of interest in the values and artistic styles of classical antiquity especially in Italy. Early in the movement, the concept of Renaissance or revival emerged as a consequence of contemporary efforts in the period to imitate the poetic and painting styles of the ancient Greeks and Romans. But as the movement progressed the word Renaissance came to represent a distinctive cultural and intellectual movement characterized by the growth of secular values and the rise of scientific and geographical exploration of the natural world. While Early Renaissance artists sought to create art forms consistent with the appearance of the natural world and with their perception of human experience, the emphasis was on theoretical art or the laws of proportion and pictorial considerations of measurable space and the effects of light and color (Web Museum, Paris).
The culmination of the artistic revolution of the Early Renaissance led to what is now known as the High Renaissance to signify the period of explosion of creative genius, producing as it did the work of great artists such as Leonardo da Vinci, Raphael, and Michelangelo. High Renaissance Art touched unparalleled heights of creative expression because it brought the artist's personal expression into well-established techniques and style, increasing thereby the dramatic force and physical presence of a work of art. Thus, an essential characteristic of High Renaissance Art is seen as its unified balance between technical skill and the artist's intuition or personal expression (Web Museum, Paris).
By about the 1520s, High Renaissance art became so exaggerated that the style was termed as Mannerism. The Mannerism period is considered to be a period of technical accomplishment but of formulaic, theatrical and overly stylized work, characterized by complex composition, with muscular and elongated figures in complex poses. The works of Parmigianino are seen as belonging to...
Art History -- High Renaissance raphael, da vinci & MICHELANGELO: THE SUPREME MASTERS OF THE HIGH RENAISSANCE Within a thirty year span, beginning approximately in 1495, the city of Rome replaced Florence as the Italian seat of artistic pre-eminence. A series of powerful and ambitious popes, most notably Julius II and those associated with the rich and powerful De Medici family run by Cosimo De Medici and later on by Lorenzo De Medici,
Art History Of the Western World Leonardo Da Vinci's Mona Lisa, also known as La Giconda, is one of the most well-known paintings of the High Renaissance period. Painted between 1503-1506, it was done with oil paints on wood. Part of the reason it has so haunted people is because of Da Vinci's unique ability to capture expressions and facial subtleties that are lost in works by other artists. Da Vinci
Art History Of the Western World Raphael's Madonna of the Meadow is from the High Renaissance period, which lasted from the 14th Century to the 16th Century. The Italian term "Madonna" is a medieval term for a noble or important woman, but in Western art it has come to specifically refer to work that depicts the Virgin Mother Mary. Biblical subjects such as the Madonna were very important to Renaissance painters
High Renaissance Movement and Its Most Celebrated Artists The Renaissance is referred to as a period of time where there was a great cultural movement that began in Italy during the early 1300's. It spread into other countries such as England, France, Germany, the Netherlands, and Spain. This era continued into the late 1400's and ended during the 1600's. The Renaissance times were a period of rebirth and during this time
Art History The clouds gleamed gloriously, as if they were smiling to greet newcomers to heaven Leonardo da Vinci and Michelangelo Buonarroti. The two artists sat rather impatiently in the heavenly waiting room, and they refused to pick up any of the literature that lay strewn on the gilded coffee table before them. This is ridiculous," grumbled Leonardo, who in spite of his age lacked no luster in his eyes. "I am
The dress is refined, but oversized and ill-fitting as befits a young boy. Here too, an Americanism is no doubt being added. Rather than make Henry Pelham appear too formal, as the scion of some great house in a European portrait, Copley reminds us that his subject is quite young and probably wearing hand-me-downs, or else some cost-saving garment into which he will eventually grow. It is a budding
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