Art History And Contemporary Art
The world is a complex place and the old, outmoded, Eurocentric way we look at politics, economics and culture (art) may not be the right way to conceive the new order. Globalism describes, in fact, the increasing unification of the world through economic means (reduction of trade barriers, support of international trade, and mitigation of export and import quotas). They goal for globalization is to increase material wealth and the distribution of goods and services through a more international division of labor and then, in turn, a process in which regional cultures integrate through communication, transportation and trade. The overall theory is that if countries are tied together cooperatively economically, they will not have needed to become political enemies. However, politics and economics do not exist in a vacuum, and art is part of culture and the historical paradigm of regions, countries and is part of . While this is primarily an economic determinant, nothing exists in a vacuum. Therefore, economics drive technological, social, cultural, political, and even biological factors. And, with this exchange of paradigms, there is transnational circulation of ideas, languages, popular culture, and communication through acculturation. Typically, we see the movement of globalization moving into the developing world as it struggles to become part of the developed world.
(Croucher 2004, 10).
When we discuss globalization in terms of art and culture, though, we must as ourselves some of the very basic questions about the nature of art. Art certainly evolves -- not just the medium of expression or the pervasive ties to culture, but the way we perceive and even...
Art During Renaissance The Evolution of Art During the Renaissance The Renaissance period is defined as a cultural movement that spanned approximately from the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe (Brotton 2006, p. 6). This period in the history of art included the painting, decorative arts and sculpture of the period and for many was considered a
Art Culture: Public Space Art Public art like that of Koon's Train (2011), Serra's Tilted Arc (1981), Lin's Vietnam Veterans Memorial (1981), and James' Sea Flower (1978), ignite discussion to the point of its modification, re-arrangement, or removal. The reason for this controversial treatment of public art is its ability to embrace a variety of aesthetic practices. The adoption of different aesthetic values like poster art, outdoor sculpture, earthworks, multimedia projections,
French Romantic painter, Eugene Delacroix, is well-known from this period. Delacroix often took his subjects from literature but added much more by using color to create an effect of pure energy and emotion that he compared to music. He also showed that paintings can be done about present-day historical events, not just those in the past (Wood, 217). He was at home with styles such as pen, watercolor, pastel, and
Hope the readers found pleasure in reading the history i.e. The experiences of the former innovators. References Betensky, M.G. (1973). Self-discovery through self-expression. IL Springfield: Charles C. Thomas. Case, C., & Dalley, T. (1992). The Handbook of Art Therapy. New York: Routledge. Detre, K.C., Frank, T., Kniazzeh, C.R., Robinson, M., Rubin, J.A., & Ulman, E. (1983). Roots of art therapy: Margerat Naumberg (1890-1983) and Florence Cane (1882-1952): A family portrait. American Journal of
In respect to the U.S., the government tried to accuse, rightfully or not, artists who developed different styles of art by arguing and making the people believe they included communist influences. Bibliography David Welch, "Nazi Propaganda and the Volksgemeinschaft: Constructing a People's Community." Journal of Contemporary History, Vol. 39, No. 2, Understanding Nazi Germany (Apr., 2004), pp. 213-238 Eric Hobsbawm, the Age of extremes. (New York: Vintage, 1996). Frances Saunders, Who Paid the
Art History Roy Lichtenstein -- Stepping Out is a painting done in oil and magna on canvas by Roy Lichtenstein. (Magna is a plastic painting product made of permanent pigment ground in acrylic resen with solvents and plasticizer. This material mixes with turpentine and mineral spirits and dries rapidly with a mat finish) (www.artlex.com/ArtLex/M.html).Painted in 1978, this work is 85 inches in heighth and 70 inches in width, 218.4 cm by
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