On the other hand there is another side to the vision of human life. There is the experience of human joy and happiness that also has to be taken into account. We find this side in works that resonate with color, joy conviviality and friendship. In this exhibition works by Renoir and Picasso have been selected to show this side of the human condition. In this context the famous painting by Renoir entitled, the Luncheon of the Boating Party portrays a very different sense of the human condition compared to that of Bacon. We also this sense of the gentleness and beauty of human life in Picasso's the Bathers.
Another artist who has much to say about the human condition is Giacometti. This famous sculptor portrays human being in terms existential searching and mystery. His sculptures refuse to comment directly on the human condition but leave us with a sense of intense mystery and wonder, and a touch of anxiety, at the meaning of human existence. His increasingly attenuated sculptures are an attempt to find the essence of human nature - a search it seems that can never be finalized.
All of the works in this exhibition refer to a central vision - the attempt to understand and interpret the human condition and explore the meaning of life. Each artist has a particular view or vision of reality. The aim of the exhibition is to meditate on these...
Admittedly, these two teams were faced with a daunting challenge in acquiring and interpreting those works of art that were most appropriate for their exhibition goals, and interpretive efforts must use some framework in which to present the resources in a fashion that can be understood and appreciated by the targeted audiences. Nevertheless, there is little or no discussion concerning the fusion of artistic styles in the two catalogs, with
Art Critique Critique of Surreal and Post-Impressionist Works of Art Dali's Autumn Cannibalism (1936) http://arthistory.about.com/od/from_exhibitions/ig/dali_retrospective/dali_pma_05_07.htm Salvador Dali is one of the great and mercurial figures in art history. The surrealistic Spanish painter was influenced heavily by the tumultuous period of history in which he lived and by the haunting images in his own psyche. Both are on dramatic display in the 1936 piece, "Autumn Cannibalism." Here, Dali paints a depiction of the military
Art Movements Cubism vs. Futurism Futurism Futurism was an Italian movement originated in early 20th century. It was artistic and social movement targeted to mass urban population. Futuristic was focused on transforming the mindset of society from political thinking to more rational, conscious and close to humanity mental perspective. Futurism movement has traces of modern life and comprehensive renewal of human sensibility brought by modern science. Futurist's art work is presented in
Artistic Elements in Movie: The Impossible (2012) Artistic Medium Cultural Political Economic Human conditions Socio-economic background Intrinsic understanding of artistic forms and development a basic component for business The movie Impossible (2012) was based on a real calamity hitting Thailand in 2004. It is a natural story of survival for the tourist family in dire conditions. The scenes in the movie are mostly sentimental and concerning the nature of a human being while put in a disastrous situation.
The function of the work of art would be to stand before the city, and to show the city as wisdom personified, and by implication show that the wisdom came from the works and power of the Medici. It would make an analogy between the city-state of Florence and the ancient city-state of Athens. Because Athens was a genuine republic, it might even deflect some criticism from the Medicis, who
Impressionism vs. Post-Impressionism Impressionism vs. Post This paper will explore impressionism vs. post-impressionism including the influences of each on each other and society, and the effects of each other on the 19th century. The paper will ascertain how one period revived or continued the style and characteristics of the other, or how one period originated in reaction to the other. Impressionist paintings tended to focus less on detail and more on making
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