Godard believed that cinema should be an extension of criticism, a concept that he is able to achieve in Le Mepris through his criticism of traditional Hollywood cinema and the restrictions imposed on directors who were struggling to define their style and voice their interpretation of stories set before them. Godard is able to inject his personal interpretation of Moravia's novel by writing the script of the film and by incorporating aspects of his relationship with Karina into the film. Godard does not compromise his authorial interpretation of Moravia's novel, yet is able to stay within the parameters set before him by the producers of the film. In "The Art of Cinema as a Mode of Film Practice," Bordwell argues that ambiguity helps to unify realism and authorial expressivity; however, Godard does not employ ambiguity and allows the film to end conclusively. Godard believes, "A story should have a beginning, a middle and an end, but not necessarily in that order," which embraces traditional narrative to a degree and at the same time redefines it (IMDB). Camille believes Paul has sacrificed their relationship for his work, ends their relationship, and is subsequently killed, thus preventing her from continuing to wander aimlessly in the future. While her life had no purpose, per se,...
However, Godard pushes beyond the limitations imposed by Bordwell and Truffaut by finding a compromise between traditional narratives and new narrative approaches demonstrating the ever-evolving nature of cinema.
Art of War by Niccolo Machiavelli Niccolo Machiavelli understood the relationships between politics and war very well, and believed that there was a causal relationship between these two crucial pillars of society. An examination of the author's 16th century text, The Art of War, readily demonstrates as much. In Machiavelli's view, war was an essential function of politics as manifested by the state. As such, the author had very opinionated beliefs
Art of War by Sun Tsu What are the main points of the Art of War by Sun Tsu? Sun Zi Art of War (? ) is the most well-known Chinese military treatise that is known to the Chinese as well as the western world. Written around the 4th to 5th century B.C. And consisting of only 13 chapters, its value in influencing military thinking and war strategies has seldom being questioned.
Art of War Antoine-Henri Jomini, the Art of War Jomini's the Art of War is based on the authors experiences in the Crimean War and the Napoleonic Wars. War is presented as an art, and yet Jomini's emphasis is on strategy and decisiveness. Author's Identity: Antoine-Henri Jomini was born in Switzerland in 1779. He came of age during the French Revolution, and understood well the fusion between politics, diplomacy, and military tactics. Jomini
In Chapter Six "Weak Points and Strong," Sun Tzu declares that the first combatants in the field who awaits the arrival of the enemy "will be fresh for the fight," while those that arrive later will be exhausted and unable to fight properly. Therefore, "the clever combatant imposes his will on the enemy, but does not allow the enemy's will to be imposed on him." This type of advice could
Summary/Abstract The subject of terrain is covered exclusively in one of the thirteen chapters in Sun Tzu’s The Art of War. In fact, terrain is addressed throughout The Art of War, so critical is positioning to tactical advantage and strategy. For example, the fourth chapter on “Tactical Dispositions” addresses positioning prior to Sun Tzu’s more formal “Classification of Terrain” in Chapter Ten. Whereas “Tactical Dispositions” covers defensive options, and relative positions
Careful, well-considered, and disciplined application of knowledge gained from experience, observation, and study can combine to create optimal conditions for success, in war and in business. Further, according to Sun Tzu, commitment to remaining focused on one's strategic objectives is also very important. Toward that end, attention from those strategic objectives should not be dissipated. One should therefore avoid petty distractions from the goals and tasks at hand, or building unnecessary
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