¶ … Luncheon of the Boating Party
Pierre Auguste Renoir
Pierre-Auguste Renoir saw an abundance of beautiful things in the world and his paintings expressed a never-ending sense of joy and discovery. With his brilliant use of natural light and color, he shows the extraordinary splendor of everyday life. A prime example of the artist's ability to capture the joy of a single moment on canvas can be seen in The Luncheon of the Boating Party. This painting depicts the carefree gathering of French revelers, having just concluded a convivial meal. Renoir recreates the beauty of the river scene with the posing of models, all friends of the artist; his use of vibrant color applied in small brush strokes to recreate natural light and a richness in texture, and his use of contrasting white with black. All these elements come together to show one of life's greatest pleasures; the joy of eating and drinking with friends.
This painting marks the culmination of Renoir's Impressionist period, from 1873 to 1880. During this time he lived in an attic apartment in the Montmartre section of Paris, having many friends but little money. He once insisted on the price of 425 francs for a painting, as this was the exact amount he owed for rent. Yet it was a wonderful time, when his artistic genius flourished with the support of fellow artists of the Impressionist movement, among them Claude Monet. Alfred Sisley, and Edouard Manet. They persevered with their new technique of dabbing the color on the canvas in small dots to create their paintings, undeterred by the ridicule of contemporary art critics. After the disastrous exhibition of 1876, when they did not even sell enough paintings to cover expenses, art critic Albert Wolf wrote this scathing review: "Try to bring M. Renoir to reason; tell him about drawing, color, execution, purpose, and he will laugh in your face. Try to explain to M. Renoir that woman's torso is not a mass of decomposing flesh, with violet-toned green spots all over it, indicating a corpse,...
The above perception of the insanity of life is not at all apparent in the second painting of Georges Seurat. While it is mystical, it gives too much quiescence that is there with the impressionistic style. This like Picasso's painting above is a happy trip and does not exhibit as much negative energy as Picasso. He also does not seem to be trying to summon any primitive energies. Rather Seurat's
Art "Sacrifice of Isaac" Analysis This paper will focus upon Lorenzo Ghiberti and one of his artistic works called "Sacrifice of Isaac." The paper will provide a context within which to explain and evaluate this sculpture. Referencing art history, world history, and the artist's personal history, the paper will explore and analyze "Sacrifice of Isaac" as a seminal work of a famous artist that serves as a masterpiece representing the entire artistic
Art Culture: Public Space Art Public art like that of Koon's Train (2011), Serra's Tilted Arc (1981), Lin's Vietnam Veterans Memorial (1981), and James' Sea Flower (1978), ignite discussion to the point of its modification, re-arrangement, or removal. The reason for this controversial treatment of public art is its ability to embrace a variety of aesthetic practices. The adoption of different aesthetic values like poster art, outdoor sculpture, earthworks, multimedia projections,
This work of art depicts a struggle between two ancestors, the Bungalung man and a Tingari man, the latter of whom was trespassing on sacred land (No author). The copious quantity of dots, particularly the white ones, evinces the full force of the elements invoked by the Bungalung Man to beat his opponent into submission. The power of the Bungalung man is evinced by the fact that he leaves
Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome
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