¶ … Minister's Black Veil" and "The Birth-mark:" Hubris
Many of Nathaniel Hawthorne's works are seen as a critique of Puritan ideology and the dangers of having a judgmental attitude. "The Minister's Black Veil" illustrates the Reverend Hooper's vindictive and narrow-minded attitude not to others but to himself. He punishes himself in perpetuity for some unnamed sin although at the end of his life, right before his death, he proclaims that all human beings wear a black veil of sin, not just himself. "The Birth-mark," in contrast, depicts the dangerous overconfidence of a scientist who is certain that he can render God's creation better than God himself in his attempts to change his wife's appearance. But while Aylmer's actions are more obviously arrogant, both men are essentially acting as judge and jury over others on earth, rather than leaving that judgment to God himself.
At the beginning of "The Birthmark," Aylmer's quest to rid his wife's cheek of the dreaded birthmark is very clearly shown to arise from the desire to improve upon nature, not because his wife wishes to have her beauty improved. He says to her: "Dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection" (Hawthorne 1). Georgina only grows obsessed with his quest because she fears her husband will not love her if she does not become perfect in his eyes. However, the Reverend Hooper similarly wants to improve upon nature, namely his own nature.
Like the Reverend Hooper, Aylmer cannot see that the world is beautiful as it is, he wants to make sure that it engineered by him as he desires. Sexual jealousy of Georgina's previous lovers are also a factor -- Aylmer wants to feel as if his wife is solely his creation, not the creation of God. "Even Pygmalion, when his sculptured woman assumed life, felt not greater ecstasy than mine will be," he says, referring to the...
Birthmark Hawthorne's "The Birthmark" Nathaniel Hawthorne's "The Birthmark" is an ironic story in which man's faith in science as the ultimate savior of humankind is demonstrated to be misplaced. Ever since science has come to the forefront of human knowledge, people have continually increased their faith and thus their dependency on it. In a way, science has become a new form of religion, one in which people place their faith to solve
Georgiana is beautiful and doesn't even think about the birthmark until her husband points to it and then goes into a deep state of misery because of that. In order to relief her husband of the misery, she agrees to drink the potion which leads to her death. Emily on the other hand is not so obliging. Though she has suffered enough at the hands of her father who wanted
To Aylmer, the birthmark represents more than an annoyance. He "possessed this degree of faith in man's ultimate control over Nature" and viewed the mark as an opportunity to demonstrate his dominion over Nature. Instead of appreciating Georgiana, Aylmer sought to transform her, to change an essential part of her being. As the narrator states, the mark was "deeply interwoven, as it were, with the texture and substance of her
Birthmark In his book, The Birthmark, Nathaniel Hawthorne explores the conflict of science and nature that exists deep in the human psyche. Hawthorne's seemingly simple story of Aylmer, Georgiana and Aminadab reveals much about Hawthorne's attitudes toward science and progress. In the telling of their story, he creates an effective allegory about the role of science in the modern world. Ultimately, Hawthorne's story warns the reader of placing science on
HAWTHORNE'S BIRTHMARK AND YOUNG GOODMAN BROWN Hawthorne was born 1804 and brought up in Salem, Massachusetts to a Puritan family. When Hawthorne was four, his father died. After this incident he was mostly in the female company of his two sisters, an aunt and his retiring mother who was not close to her offspring. Hawthorne was known as a reserved personality but during four years at college he established close friendships
small, crimson birthmark on Georgiana's cheek represents humanity and its inherent flaws. It defines Georgiana as an individual, as a human. Aylmer saw the birthmark as a symbol of Georgiana's earthly mortality, and as "a symbol of his wife's liability to sin, sorrow, decay, and death." Georgiana is seen as a perfect specimen of beauty, except for the birthmark. Without the birthmark Georgiana would be perfect at a divine
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