Thus, the nobility of Antigone's character lies in her reluctance to condemn her sister, whereas her tragic flaw lies in her fanatical devotion to the men in her family, to the point that she wishes to lie with her brother's corpse.
Antigone's fall comes when she is caught burying Polyneices' corpse, and the fact that her subservience to patriarchy is the precise reason for this fall is revealed in Creon's response. When Creon condemns Antigone to her early grave, but before Ismene enters in her attempt to claim responsibility, Creon tell Antigone that she should "Then go down to the dead. If you must love, / love them. No woman's going to govern me" (599-600). Thus, it is Antigone's devotion to honoring men which gets her arrested, and it is the cultural patriarchy of her society which condemns her to being buried alive, perfectly illustrating how Antigone's own tragic flaw results not only in her fall but in the over-the-top severity of her punishment. It is her own fault not only for caring so much about her brother's corpse, but also because she has consistently supported the very patriarchal society which condemns her in the form of Creon.
Even Creon's punishment, that she be buried...
Thus, it is evident that Antigone's capacity for devotion and love has different hues and is, therefore, kaleidoscopic in nature. Unfortunately, it is perhaps this very mercurial quality that results in her actions leading to tragedy. for, had Antigone been willing to honor her love for Haimon and Ismene, she may have well succeeded in enlisting their co-operation in persuading Kreon to reverse his decision. Antigone: A tragedy that is
Both Antigone and Creon are determined and obstinate. Both exhibit the tragic flaw of hubris, because neither one is willing to surrender his or her will. However, Creon was in the position to avert the tragic ending of the play without sacrificing much more than his pride. Antigone, on the other hand, would have lost everything she believed in and her self-respect if she humbly accepted the marriage and
Both literally and figuratively of noble character, Oedipus is the epitome of tragedy, moving from hubris to his downfall to ultimately tragic hero. In a mental sense, Oedipus realizes his flaw and finds this completely unacceptable. He punishes himself by means of self-mutilation and his removal from kingship. Antigone also suffers from a sense of hubris. She is completely self-sufficient. She fails to rely on others, or indeed to submit
Sophocles explores the connection between fate and character in the play Antigone, in which the title character becomes a classic tragic hero due to flaws like hubris. However, it is not just her character traits that destine Antigone for her fateful end. Antigone’s character is inherently virtuous, as she wants to disobey the law for the right reasons. She has strong moral principles, and is guided by universal ethical values
Plot Oedipus Rex revolves around the titular character, a king who unknowingly murders his father and marries his mother. Through a series of revelations and prophecies, he uncovers the tragic truth about his past and blinds himself in despair. In contrast, Antigone focuses on the conflict between the state and the individual conscience. Antigone defies her uncle, King Creon, by burying her brother Polyneices, who was considered a traitor. Her actions
Tragedy in the Oedipus Trilogy Sophocles is considered to be one of the greatest Greek dramatists, and remains among the most renowned playwrights even today. The Greek tragedy is one of the most influential genres of literary and theatrical history on the modern drama and theatre. The theatre of ancient Greece was inspired by the worship of Dionysus, and the performance of plays was considered to be a religious experience for
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