Antigone and Oedipus Rex are both tragic plays by Sophocles. In many ways, these plays are similar to one another as tragedies. For one, they are part of the same set of texts by Sophocles. Antigone is the first installment in the series of three plays. Oedipus the King (Oedipus Rex) is the second of the trilogy. Second, the title characters in the plays are related, as Antigone is the daughter of Oedipus. Therefore, they share the same fate due to their common blood. The outcome of the Antigone play has an influence on Oedipus and vice-versa. In addition to the continuity of characters and events between Antigone and Oedipus the King, there are thematic similarities between the two plays. One of the themes that is shared in common between Antigone and Oedipux Rex is that of fate vs. free will. In both these plays, fate strangles the main characters and prevents the full expression of their free wills. Free will is shown to be contrary to one's greater good, too. The will of the gods will always be stronger than the will of human beings, Sophocles suggests in both Antigone and Oedipus Rex. Another theme that is shared in common between Antigone and Oedipus Rex is the difference between human laws and divine laws. Both of these plays distinguish between these two types of laws. How the characters obey and disobey divine vs. human laws becomes very important to the respective outcomes of Antigone and Oedipus Rex.
Although Sophocles wrote Antigone before he wrote Oedipus the King, the events in Antigone actually happen after the events that take place in Oedipus the King. Telling the story of the Oedipus family out of chronological order has a profound impact on the reader. Sophocles knows that his viewing audience was already familiar with the stories of Oedipus and Antigone, so it was not like he was giving a "spoiler" when telling the story of Antigone first. After all, the Chorus in Antigone introduces the title character by mentioning the bad luck of her father. When the chorus states, "O hapless, and child of hapless sire,-Of Oedipus!" The audience is reminded of the fact that Oedipus killed his father and married his mother (Sophocles, Antigone). Antigone is Oedipus's daughter, suggesting that the ill fate of the father is passed down to his children.
Fate vs. free will is one of the most prevailing themes in both Antigone and Oedipus the King. In both Oedipus the King and Antigone, the title characters have their fate established for them by the gods, or preordained. The gods have determined that Oedipus will kill his father and marry his mother, thereby causing a great tragedy of events. The Oracle of Delphi is the one who first points this fate out to Oedipus. Tiresias the blind prophet is the second to remind Oedipus of his fate, which he chose to ignore. Tiresias states, "And of the children, inmates of his home, / He shall be proved the brother and the sire, / Of her who bare him son and husband both, / Co-partner, and assassin of his sire," (Sophocles, Oedipus Rex).
Interestingly, Tiresias the blind prophet tells Oedipus that he is "blind of seeing," (Sophocles, Oedipus Rex). By this, Tiresias means that Oedipus is blind to the truth. Oedipus is symbolically blind, whereas Tiresias is physically blind. In the end of the play, however, Oedipus is truly blind. Oedipus creates a self-fulfilling prophesy by gouging out his own eyes. He makes himself blind, fulfilling the initial prophesy of the oracle. This is ironic because Oedipus uses his own free will in order to do what the gods have fated him to do.
The truth that the Oracle and Tiresias have delivered, about Oedipus killing his father and marrying his mother, is too painful for the king to stomach. It makes sense that the King would rebel against his terrible fate and ignore what the oracle and Tiresias tell him. Unfortunately, Oedipus cannot do anything about his fate. He had a chance to change his fate, but he refused to listen to the Oracle. Sophocles seems to suggest that a person does have the opportunity to use free will to change one's...
It is this lead character's outrage that drives the plot, rather than any journey of self-discovery or some fateful intervention. This is seen when Antigone declares her defiance of the king: "I will bury him myself. / and if death comes, so be it. / There'll be glory in it. / ... The gods will be proud of me." Rather than placing the importance of the gods first, Antigone
His physical loss of sight is penance for the lack of insight he had at the start of the play. He has exchanged physical sight for mental insight into the truth. 4. Rhetorically, Oedipus uses the diction of a king at the beginning of a play. He plays the role of one in power, and of a person in full control of and with confidence in himself. When his people
Ismene would later be pardoned, but Antigone's decision to include her sister in the plot denotes further criminality on Antigone's part. In any case, the crime that Antigone commits is relatively minor: she is not harming anyone and is actually following the law of custom, tradition, and religion, a law which Antigone places before any law of the mundane world. Ironically, her suicide can be interpreted as a further violation
Plot Oedipus Rex revolves around the titular character, a king who unknowingly murders his father and marries his mother. Through a series of revelations and prophecies, he uncovers the tragic truth about his past and blinds himself in despair. In contrast, Antigone focuses on the conflict between the state and the individual conscience. Antigone defies her uncle, King Creon, by burying her brother Polyneices, who was considered a traitor. Her actions
body { font-family: Arial, sans-serif; line-height: 1.6; } h2 { font-size: 1.2em; } Sophocles, one of the three great tragedians of ancient Greece, authored many plays that have become foundational texts in the study of classical literature and drama Among which "Oedipus Rex" and "Antigone" are perhaps the most well known. These two plays are part of what
As a character, Creon is almost and inverse of Antigone, because his concern for his own authority trumps his love for his own family, as he all but disowns his son Haemon for the latter's support of Antigone. As these flaws are the most important elements of characterization in terms of the plot, they essentially define the characters even in spite of the interior emotional lives hinted at within
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