That is not to say that traditional women do not believe they should have reproductive rights, but only that non-traditional women are much more likely to speak out on the issue and make their voices heard. Through that, change is often made that benefits both the non-traditional and traditional women in society. This causes society to advance, and what was non-traditional becomes more traditional over time. As can be seen from an examination of Antigone and her sister, and from an examination of what non-traditional women of today are doing with their lives and the causes they support, being non-traditional has its benefits and value, both to the women and to society as a whole. Not all women are comfortable with that role, of course, but there are a number of women who feel that being non-traditional is just a part of who they are. It is something to be applauded and appreciated, not something to be shunned or devalued because it is different. These women are not interested in the traditional role of women in their society and culture, and they want...
In some ways these women are changing their culture and society for the better, although more traditional women, and some men, may not agree with that assessment. Regardless, the goals of non-traditional women will continue, as will their interest in the unconventional hobbies and careers that are important to them.
Antigone is the last play in the Oedipus cycle written by Sophocles. In the play, Antigone, the Oedipus's sister-daughter challenges her uncle, Creon, who has ascended the Theban throne after he brothers, Polyneices and Eteocles, are killed in battle. In the play, Antigone defies Creon's mandate that Polyneices should not be granted a proper burial because he is an traitor and an enemy of the state. Because of her opposing
As a character, Creon is almost and inverse of Antigone, because his concern for his own authority trumps his love for his own family, as he all but disowns his son Haemon for the latter's support of Antigone. As these flaws are the most important elements of characterization in terms of the plot, they essentially define the characters even in spite of the interior emotional lives hinted at within
Antigone and Oedipus Rex are both tragic plays by Sophocles. In many ways, these plays are similar to one another as tragedies. For one, they are part of the same set of texts by Sophocles. Antigone is the first installment in the series of three plays. Oedipus the King (Oedipus Rex) is the second of the trilogy. Second, the title characters in the plays are related, as Antigone is the
Thus, the nobility of Antigone's character lies in her reluctance to condemn her sister, whereas her tragic flaw lies in her fanatical devotion to the men in her family, to the point that she wishes to lie with her brother's corpse. Antigone's fall comes when she is caught burying Polyneices' corpse, and the fact that her subservience to patriarchy is the precise reason for this fall is revealed in Creon's
Antigone Sophocles' Antigone is a story that has several strong characters, each set up cleverly in order to demonstrate the role that personality traits and the strength of conviction in ideals plays in determining individual decisions. Thus, if Creon's son Haemon serves as a contrast of wisdom to his own display of pride and arrogance, Antigone's sister Ismene acts as a foil in defining Antigone's character and strength of conviction in
Antigone Sophocles' Antigone has been widely interpreted as a play about a young woman's admirable courage of conviction. This rather straightforward interpretation is largely the result of a plot that revolves around Antigone's determination to honor her dead brother by giving him a proper burial, in spite of the King's edict that his corpse should be left to rot. Thus, Antigone's tragic fate is seen as the result of her laudable
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