The next one approaches; again you have to defend your skin. Again and again the mad murdering is repeated, all night long."
Entitling Chapter Five "Story of Murderous Flights in the Night" reveals the author's definite moral judgement of war as equivalent to murder. The author does not distinguish between killing on the battlefield and killing on the street. This marks a certain shift in social values, as killing in battle is frequently depicted as being an honorable and justifiable act. In a telling section, the German deserter explains how the individual can justify murder to himself. He notes that soldiers become desensitized to death the longer they remain on the battlefield. "When a man is accustomed to step over corpses with a cold smile on his lips, when he has to face death every minute day and night, he gradually loses that finer feeling for human things and humanity," (Chapter 8).
For a text written a century ago and translated from German, "A German Deserter's War Experience" reads easily. The narration is straightforward and flows smoothly, lacking any pretentious speech. It is as if the deserter speaks to a friend, and yet he does not ramble. The author's insight is admirable. He seems to be in touch with his own feelings but also of the broad implications of the war experience....
From this came our insistence on the drama of the doorstep" (cited by Hardy 14-15). Grierson also notes that the early documentary filmmakers were concerned about the way the world was going and wanted to use all the tools at hand to push the public towards greater civic participation. With the success of Drifters, Grierson was able to further his ideas, but rather than directing other films, he devoted his time
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