" Or questioned, "Why are you always in such a big hurry to grow up?" Too bad I didn't realize that my older siblings were just as jealous of me having no responsibilities, as I was of them being older. Too bad that I did not have adult eyes in my child's body, so I could have seen all the wonderful things I was missing by dreaming about being older. I would like to see with adult eyes how great those New Year's parties were with my family, as we cuddled close together and watched the movies or television shows, ate popcorn,...
I would like to see with adult eyes how wonderful it was to go to story hour each week and just sing songs, dance to the music and listen to the stories, and not have to worry about all those job things like "will my boss ever give me a raise," and "I hope I did that report all right," and "It's Monday again." And I would like to see with adult eyes that sometimes it was as difficult for my mom and dad to make those giant steps as it was for me to make the giant…Anne Sexton's literary success did not provide her with inner peace, and like Plath as well she committed suicide by inhaling poisonous gas ("Biography of Anne Sexton," Poem Hunter, 2008). Prophetically, in Sexton's poem entitled simply "Wanting to Die," she wrote of suicides: "Still-born, they don't always die, / but dazzled, they can't forget a drug so sweet/that even children would look on and smile." However, although most of her
Anne Sexton and Alfred Hitchcock Briar Rose and Blood in the Shower Introduction to Both Texts Sexton's Sleeping Beauty goes from an initial anti-feminist slumber of childhood but grows to a later, mature feminist awakening. Hitchcock's Marion Crane goes from an initial feminist empowerment and sexual awakening to anti-feminist slumber and death as the film "Psycho" is more interested in the masculine conflict and journey of the self. Both "Briar Rose: Sleeping Beauty" by
Throughout the poem, the use of past tense active verbs places the poem in a strange sort of disconnected yet impassioned context, reinforcing the idea that the poem is a chant of sorts. This is most apparent, of course, in the repeated "I have been her kind." There is perhaps no element in the poem that contributes to the tone more than the imagery. This changes significantly from stanza to
Anne Sexton\\\'s-TransformationsTo the �Gold Key,� I reacted with a sense of obligation, as though I were being summoned to this woman, who thought she had a clever way to get us interested in her new take on old ideas. To �Snow White,� I reacted with some dislike. For instance, when Sexton writes of Snow White that she was �as full of life as soda pop� (7), it felt like a
At twenty I tried to die And get back, back, back to you. I thought even the bones will do. (51-60) These lines allow us to see the poet dealing with her anger and the final thought is equally powerful when the poet tells her father, " Daddy, daddy, you bastard, I'm through" (110). The anger, unlike her father, lives and that might be the most agonizing aspect of the poem. There is
.. / he took the fullness that love began." Using the term Rumplestiltskin invokes the fairy tale, which further allows the narrator to distance herself from the abortion. A fairy tale suggests being out of touch with reality. This corresponds with the sense of abortions being the type of "logic" that "will lead / to loss without death." The narrator also trivializes her role by saying, "I changed my shoes,
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