Lumet's filmed adaptation of Reginald Rose's Twelve Angry Men focuses primarily on prejudice and the ways in which prejudice can obscure or distort one's sense of justice. The twelve jurors in the film all have their own personalities, their own backgrounds, their own histories, their own preoccupations: one wants to catch the ballgame and is willing to vote whichever way will get him out of the room sooner; another sees

The way the racist juror was dressed and groomed indicated a lack of class and personal pride. He was an ignorant man who had worked hard all his life, had risen to a level in society where he was above minorities and other impoverished Americans, but still not as well off as he would like to be. He had a deep seeded anger at his position in society which

Most individuals fail to appreciate life to the fullest because they concentrate on being remembered as some of the greatest humans who ever lives. This makes it difficult for them to enjoy the simple pleasures in life, considering that they waste most of their time trying to put across ideas that are appealing to the masses. While many did not manage to produce ideas that survived more than them, others

"I'm not sorry." The close-up of Susan that closes the scene demonstrates that she has had an epiphany and will likely no longer maintain the shadow of her lonely life. The crooner is all the while singing the blues classic, "It Can't Be Love" while Susan reiterates the message of the work in a step-by-step angry rant, associated with dire unhappiness, reflective of the ignorance and unfeeling nature of

Politics of Violence in Pinter's Late Plays When Harold Pinter received the Nobel Prize for Literature in 2005, he spoke quite directly about the subject of political theatre: Political theatre presents an entirely different set of problems. Sermonising has to be avoided at all cost. Objectivity is essential. The characters must be allowed to breathe their own air. The author cannot confine and constrict them to satisfy his own taste or disposition

Lowenstein) These children also might see their own feelings of a wish to do physical harm toward another reflected in the feelings of others, the psychological term known as projection, and may be afraid or paranoid of others intentions. Sometimes the criminal act of murder is an extension of previous anti-social acts of less serious forms of delinquency and criminality and children merely graduate to more extended and more violent and extreme