Jazz Concert Report
This report is about a jazz concert that was performed by Something More and Buster Williams on April 29th. The concert was in Washington DC, Blues Alley. Buster Williams and Something More composed the music that is referred as 'Deja'. The Something More group comprises of Renee Rosnes the pianist, Jeff Watts the drummer, and Bruce Williams on the saxophone; the bass was entirely handled by Buster Williams.
Music style
By focusing on the band's performance, it is hard to pick on one style that best describes the performance since there was a change of style at different points of the performance. At the onset, Renee Rosnes' piano performance had a very soft start. At this point, the piano's mood and tone was sober; however, it gradually changed to become more active and vibrant. The saxophone then followed and just like the piano, it had a gloomy tone at the onset, but as the other instruments joined, there was a change of the tone to one that is thrilled and exuberant. Notably, the bass and the drums had a reclusive and laid-back effect in the background, this brought out the aspect of blues in comparison to the other instruments. In the course of the performance, the piano produced a clearly...
Jazz concert was performed by the Fukushi Tainaka Quartet on the 16th of April. The venue was the Small Jazz Club in Greenwich Village, New York City. In that band, Fukushi Tainaka played drums, Chris Johansen played the tenor saxophone and Marc Devine was on the piano while Hide Tanaka played the bass. Background of the Musicians Fukushi Tainaka's name is among the best jazz musicians and the best drum player on
Drums, piano, and bass all remain strictly rhythmic elements of this piece, though the latter two also provide melodic and harmonic support to this smooth yet snappy piece that is not quite a ballad yet is not nearly up-tempo enough to be considered be-bop. Johnson drives with his sticks on the drums with some liberal symbol use, and Brown keeps a steady bass line moving underneath the melody and
Jazz "Blues After Dark," Dizzy Gillespie (trumpet), Sonny Stitt (tenor sax), Lou Levy (piano), Ray Brown (bass), Gus Johnson (drums). In Belgium, 1958 Style = BeBop Role of Piano = Stride and Comping Role of the Bass = Walking Role of the Drums = Brushing and Riding Role of the Trumpet and Saxophone = Lead and Melody "Blues After Dark" starts off with Dizzy Gillespie and Sonny Stitt, for a few measures only the trumpet and saxophone
Jazz "Blues After Dark," Feat. Dizzy Gillespie (trumpet), Sonny Stitt (tenor sax), Lou Levy (piano), Ray Brown (bass), Gus Johnson (drums). In Belgium, 1958 Starting with the dueling instruments, it almost sounds like two muted trumpets, because the harmonics are intense. For a few notes, it remains that way until I see that it is not two trumpets but rather, a trumpet and a saxophone. They are playing together brilliantly. A smooth stand
Jazz Performance: "Blues After Dark," Dizzy Gillespie (trumpet), Sonny Stitt (tenor sax), Lou Levy (piano), Ray Brown (bass), Gus Johnson (drums). In Belgium, 1958 This dynamic performance starts rather tentatively with the trumpet and saxophone, before the band joins in earnestly. Piano, bass, and drums accompany the lead trumpet (Dizzy Gillespie) and tenor saxophone (Sonny Stitt). The introduction builds rather quickly after that, build around a central phrasing structure. There are deliberate
Lesson Plan 5: Jazz and World War II Preparation: previous presentations and other material that summarizes the learning points related to jazz, the American culture etc. Standard 1: Synthesizing information and writing an essay. Objectives: Recall previous knowledge about the topic. Identify the reasons for which Jazz became popular in America. Explain how It spread in the world Activities involved: 2 Plan: The teacher will show students all the information they have gathered during the week on a
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