¶ … Picasso's "Girl before a Mirror"
The artwork to be reviewed in this report is by the renowned painter Pablo Picasso. It is simply titled "Girl before a Mirror" and it features Marie-Therese Walter, the artist's young mistress. He created the artwork during the early 1930s. Currently, it is on display at the Museum of Modern Art in Midtown Manhattan, New York. Picasso makes use of line, color and shape to for present simultaneously symmetrical and reversed images that juxtaposes youth and old age.
The two sides of her body are simultaneously reverse and symmetrical. While one half of the painting depicts her as a curvy pregnant woman, the other half depicts an aged woman who is fragile. The woman in the reflection is portrayed as having a deflated stomach, with a sagging and lopsided chest and an aged face. The whole painting has a background of circles and diamonds. Convincing readers that how do you know the painting is portrayal of Miss Walter's youth and her image several years later. What is created is a clear dichotomy that compares the woman at two points in time. Her arms are crossed so as to trick the viewer's eyes. She is holding the further side of the mirror looks like she is turning this mirror inward toward her. By contrast, her right arm against the mirror looks like her real arm is disappearing and a floppy finger is from the reflection of herself. In other words, viewing the image is not all that simple as one has to think about what is being witnessed.
The painter makes use of different lines to impart a symmetrical appearance for the two images. However, the images are actually the reverse of one another. Picasso makes use of a vertical line to delineate the mirror This divides his entire painting into two parts. Furthermore, thick contour lines are used for sketching the girl's body, both the present and the past. In the same way, her older self in the reflection of the mirror is visible as well. The vertical central line has been very cleverly employed for separating the same persona in two different worlds, those being the real world and his imagination of the future. Through this method, Picasso enables the viewer to be accorded a sense of symmetry as though the girl in the painting is actually seeing her own reflection in the mirror. Picasso has made use of multiple horizontal strokes between the girl's facial features. This is particularly true around the eyes. It is also present in the "future" part of the portrait. The numerous parallel lines at the back denote a 'curved'...
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