Filial piety and fraternal submission -- are they not the root of all benevolent actions?" The superior man does not innovate, but is judged upon how perfectly bows to the conventions that were established, to what moral truths and ideals have come before his existence on earth and in heaven. (the Analects, Chapter 1)
The superior also is deferential to his subordinates -- and aloof from those beneath him. Even when the student Tsze-kung asks Confucius "What do you pronounce concerning the poor man who yet does not flatter, and the rich man who is not proud?" The Master replied, "they will do; but they are not equal to him, who, though poor, is yet cheerful, and to him, who, though rich, loves the rules of propriety." In other words, even a poor man who is not socially aspiring should be cheerful in his or her deference. Furthermore, although the rich man may not be proud, he should observe some remove and propriety towards his subordinates and not be overly free in his social relations with his inferiors. (the Analects, Chapter 1)
Duty to who and what has come before, to both moral principles and the persons of one's answers, conformity rather than nonconformity and innovation is what is paramount in Confucian philosophy, in direct contrast to the American stress upon innovation in ideas, governance, and moral behavior. The assembler of the Analects quotes not only Confucius, but also Confucius quoting those who taught before him, stressing the continuity rather than the innovation of Confucian philosophy. "The philosopher Yu [is said to have said, according to Confucius] "In practicing the rules of propriety, a natural ease is to be prized." Confucius, in one's social mannerism additionally reinforces the idea that a lack of hard effort should be affected, rather than any illusion of social betterment and hard work and achieving an image of upward mobility, in contrast to American values. (the Analects, Chapter 1)
Also, rather than stress equality of all persons, the master states: "Have no friends not equal to yourself." Individuals must keep to their specific and enclosed stratum of society -- although Confucius...
Padua also gave some important academies in mannerism and a notable one among them is Accademia degli Eterei, with Guarini and Tasso among its members. Some of the reasons that made painters explore unusual, new methods in their art also inspired those using the written word in their art. "In poetry, ideals of elegance, grace, and ornamental eloquence contribute to the evolution of petrarchism and concettism." The artists developed their
Workers in Florence were experts when it came to transforming wool into cloth of an excellent quality; they wee well acquainted with the ways to do the same. The process was a quite complicated one which involved dying of wool, cleaning the wool and a host of other processes. The Palazzo Vecchio, constructed in 1299, was the home of the Florentine guilds. Then, as well as today, it functioned as
Italian Renaissance Art Mannerism Mannerism is a period of European art that arose from the later years of the Italian High Renaissance around 1520. It went on until around 1580 in Italy, when a more Baroque style developed to take its place, but Northern Mannerism lasted into the first part of the 17th century, all through much of Europe. Stylistically, Mannerism includes an assortment of methods swayed by, and responding to, the
The sheer length of time designated to each suggests a great deal about the excess of resources, man-power and conceit which were reserved for the cite of worship, historical documentation, deference to the shared authority of the Crown and Church and, in the case of St. Denis, the interment of France's Kings. And embodied in this long process would be the incorporation of a host of aesthetic, spiritual and
cultural movements of European art after the Renaissance, namely those style periods of Mannerism, Baroque, and Rococo. In the late sixteenth century, Mannerism was a unique artistic technique that made use of distortions of scale and viewpoint. The Baroque movement in art and architecture enhanced Europe between the early seventeenth and middle eighteenth centuries as it emphasized dramatic and at times tense affects. The Baroque artists and sculptures consistently
Art History - High Renaissance The contextual knowledge of the era of High Renaissance and Mannerism is important as its integral to any study of work emerging from the period. The Renaissance movement took place in Europe from the early 14th to late 16th century, which witnessed a revival of interest in the values and artistic styles of classical antiquity especially in Italy. Early in the movement, the concept of Renaissance
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