American Amusement Parks in the 1890s
Amusement Parks in America in the 1890s
In the years just before the dawn of the 20th Century, America was going through dramatic cultural, social, political and economic changes. The Industrial Revolution was reshaping the way Americans worked and played; an emerging "mass culture" was creating a "cultural upheaval" - as mentioned in the John F. Kasson book, Amusing the Million: Coney Island at the Turn of the Century. This upheaval was driven in part by technological innovations (affordable books, magazines, photographs, lithographs, the invention of the telephone, phonograph) in communication, which opened the door to a new way of living - for a new generation of Americans it was a distinct departure from "genteel respectability" (Kasson, 6). This paper offers a close look at how U.S. families were learning to enjoy their leisure time in the 1890s, leisureliness being a luxury that citizens of the early and mid-19th Century, for the most part, were not able to experience. In this paper, the amusement parks of the late 19th Century will be reviewed - as to what they offered and how people responded to them - and also, the paper will cover the events of the times, important people of the times, as a way to put American leisure experiences into historical context.
Putting the 1890s into Historical Perspective
Meanwhile, as the "genteel middle-class cultural order" was crumbling (Kasson, 6) in the 1890s, there were fascinating developments and inventions which hastened dramatic cultural change in America (Bowling Green, 2000). In 1891: Thomas Edison invented the first motion picture camera; James Naismith invented basketball; Whitcomb L. Judson patented the zipper. In 1892: the first gasoline-powered auto was built by Frank and Charles Duryea (followed by Henry Ford's first car in 1893); The Adventures of Sherlock Holmes was published (Arthur Conan Doyle); Carnegie Hall opened its doors. In 1893: Alexander Graham Bell's patent on the telephone expires, opening the door for other phones; Frank Lloyd Wright designs his first home. In 1894: the Income Tax becomes law; muckraking journalists expose corporate corruption. In 1895: Sears Roebuck launches mail order catalog business; Woodville Latham launches Panoptikan, a moving picture projector; Coney Island opens up. In 1896: James B. Connolly wins hop, skip, and jump event, 1st U.S. Olympic champion in 1500 years at revival of games in Athens; Koster and Bial's NYC music hall holds first public exhibition of moving pictures; "The Yellow Kid" is published (first comic strip) by New York World. In 1897: 1st subway opens in Boston; William James publishes collections of essays (the varieties of religious experience). In 1898: battleship Maine blown up in Havana harbor, followed by sensational newspaper accounts ("yellow journalism"), which inflame anti-Spain sentiment and lead to U.S. taking Cuba and the Philippines from Spain. In 1899:
John Dewey begins revolution in education with publication of the school and society; Edwin Markham publishes "man with a hoe," which becomes the most popular poem in American history to that point; economist Thornstein Veblen publishes the theory of the leisure class.
The Emergence of Amusement Parks
Speaking of the leisure class, what was it that stimulated the need for mass culture weekend amusement for these late 19th Century citizens? Was is just the fact that employers were giving workers half of Saturday - or if you were lucky, all of Saturday - off, and there was a resulting vacant time slot to fill? Was it that urban populations were growing into crowded settings so rapidly that people needed diversions and creative activities to keep from feuding with one another and to stay emotionally fresh after long hours of mundane industrial-related work? And was it that electric trolley systems offered easy access from cities to amusement parks? "Yes" is an appropriate answer to all three questions. And indeed, the development of practical uses for electricity had spurred the construction of amusement parks nationwide, in the 1890s and early 1900s.
Indeed, the emergence of electricity was hastened at the Chicago Columbian Exhibition of 1893. The exhibition featured one of the first demonstrations of mass electric lighting. Hence, amusement park developers quickly realized that new lighting at public parks would be a significant attraction in a time when electricity in American's homes was still very rare. And so, parks were ablaze after dark with large quantities of electric light bulbs, and people were drawn to them like moths to a flame. Indeed, the parks quickly earned the nickname of "White Cities," or "Fairylands." At that same 1893 Chicago Columbian Exhibition, George Ferris unveiled the original, initial...
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