China Syndrome
Several interesting facts surrounding The China Syndrome are worth bringing out at the beginning of this paper. First, Jack Lemmon, Jane Fonda, and Michael Douglas, the principal actors in the film, were all actively anti-nuclear at one time during the 1970s and 1980s in California and Oregon. Fonda in fact flew from Los Angeles to Eugene Oregon in 1976 to appear as a celebrity on behalf of the proponents of Measure B, a ballot proposition (which failed) that would have restricted the further development of nuclear plants in Oregon pending the establishment of a safe repository for the highly radioactive "nuclear waste."
The same kind of ballot measure that was voted on in California in 1976, and was defeated because of massive advertising by the utilities, which used scare-tactic TV commercials showing a family eating dinner by candlelight (the direct implication was that the lights would go out unless nuclear power plants could go online). Diablo Canyon nuclear plant, build in San Luis Obispo County during the 1970s, was delayed for several years after an earthquake fault was discovered 2 miles offshore by geologists from the U.S. Geological Survey and Shell Oil, according to an anti-nuclear group in San Luis Obispo, California, the Mothers for Peace (www.mothersforpeace.org).
In the movie, suddenly, when a noticeable shaking event takes place in the containment building -- where the TV station staffers are gathered, part of a PR tour conducted to help the station do an in-depth series on energy in Southern California -- indeed, some serious scurrying takes place on the floor of the control room. What if a nuclear power plant got out of control? The viewer has a close-up look at what might take place during such an event. It might even be more frenzied than it was shown to be.
When a visiting journalist feels the shaking, and then hears, over the loudspeaker: "All personnel proceed directly to safety areas, this is not a drill"; that is enough to scare any reporter who is on site to produce television journalism about nuclear power, and Michael Douglas does a believable, excellent job in his role as cameraman, when he hears that warning in the film. He is told not to roll tape of the control room, but when the loudspeaker announces that personnel are to report to "safety areas," he covertly begins taping the scene.
'Routine, huh?" Douglas whispers, cryptically, while Fonda, who is playing the role of a talking head -- something of an airhead "fluff reporter," says little, but just stands wide-eyed and looking puzzled.
Given the paranoia by stations over running a story that might embarrass a public utility, another very potentially realistic sequence takes place back at the TV station, when Fonda and Douglas explain what they've got to the news director. He immediately senses a scoop, but when the station manager comes into the editing room and sees the footage, he shuts the story down, for lack of backup. Basically, that is a good strategy, but when Fonda and Douglas see the PR guy for the Ventana nuclear plant up in the room with the station manager, they know they've been censored.
The fact that the news media just happened to be on hand to witness one of the potentially hottest stories in Southern California news history was stretching credulity a bit, but Hollywood can get away with that.
"My God we're losing it," Lemmon, the man in charge of the plant's controls, barks, trying to re-establish control over the reactor following an earthquake. "Please God ...." Lemmon pleads, looking up and closing his eyes. This is a very human and realistic set of emotions shown by Lemmon; the anguish on his face tells a story that a scriptwriter's best dialogue could not match.
A bit later, in the executive suite owned by the power company the news is not so much directed on the accident that nearly resulted in a meltdown,...
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