Roger and Me: Automobile Industry
Like All the President's Men, this work is a departure from fiction in film and in novels. Rather than portraying fictional characters in a contrived plot, "Roger and Me" takes us into the lives of actual men and women dealing with the all-too-real problems of the decline of the United States as a world industrial power.
The focus is on the automobile industry, in particular, on one of the early centers of that industry, Flint, Michigan. Major automakers like General Motors have for years been cutting back on production and employment. Now, many of the older plants that have been running at reduced capacity are being closed for good and their workers let go permanently.
Because Flint was heavily dependent on auto making, the effects on the local economy are disastrous. Flint seems to be in the process of turning into a postindustrial ghost town, but the agonies endured by its ordinary people make for a riveting drama.
In stark contrast to the grim realities of the little people are the lives, attitudes, and actions of the auto-industry elite: the pious but elusive Roger Smith and lesser GM
officials; the privileged ladies on the golf course discoursing on the welfare system and its abuses; and local political leaders, who sometimes seem to be seeking solutions to Flint's problems and sometimes merely to be looking for palliatives -- from entertainment to religion -- to take people's minds off their realities.
This contrast between the situations of the relatively powerless masses and the more powerful elites is the stuff of which social satire is made. Chronicling the filmmaker's attempts to interview Roger Smith about Flint's problems and including footage of daily reality in Flint, "Roger and Me" is sometimes hilarious, sometimes outrageous, and always insightful.
As you watch this film, think about a central theme that the exercise of political and economic power (it is sometimes difficult to draw a line between the two) affects everyday life.
Key inclusion elements - Did the events in this film more or less have to happen, or did they become inevitable because of decisions that could have been made differently? Could this film be a preview of what awaits much of the rest of this country?
Michael Moore's Film Docudrama Roger and Me (1989): A Portent of Painful Realities
The film docudrama Roger and Me (1989), directed by filmmaker Michael Moore, who also directed the docudramas Bowling for Columbine (2002) and Fahrenheit 911 (2004), focused on the aftermath, for people living in Flint, Michigan (Michael Moore's own home town) of the 1988 closing the General Motors (GM) car manufacturing plant there, the first and the oldest GM plant in America. Since many Flint residents had worked at the plant, sometimes all their lives (as, in many cases, their parents and grandparents had also done) and since Flint, Michigan, possessed little or no other infrastructure, the closing, in Flint, of GM's oldest plant caused sudden, disastrous, levels of unemployment related hardship throughout Flint.
GM's decision to close the plant caused problems even for those not working there: widespread closings of shops, restaurants, and businesses. Streets of nothing but boarded-up shops and businesses were shown, illustrating effects of residents' no longer being able to afford to support them. Long-term residents, not all formerly employed by GM were shown moving en masse from Flint, where they had always lived, perhaps for generations, because they had lost all hope for the future. At one point in the film, so many U-Haul and other trucks had been reserved, by those evicted from apartments or moving away, that no truck was available for a woman who, with her young family, had been evicted from her apartment on Christmas. In these ways and others, then, Moore illustrated how the plant closing had reverberations for citizens, businesses, and jobs outside the plant as well.
Cutbacks in basic city services like garbage collection occurred, allowing rats and other vermin to run rampant in parts of the city. Further, individual development of (sometimes questionable) "cottage industries" (like a woman's stomach-turning new livelihood of skinning rabbits and selling their meat) to survive, starkly illustrated the costs, in human misery, of GM's decision. Moore's footage of unemployed Flint residents (such as, for example, Moore's laid-off high school friend, evicted from his apartment and despairing for his future) showed, in concrete human suffering,...
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