Langston Hughes and James Baldwin Compare/Contrast Music plays a major role in much of the literature that came out of the Harlem Renaissance. The Harlem Renaissance was an American cultural movement that aimed to celebrate African-American culture through literature, art, and other intellectual and artistic means. One of the musical styles that was influential in literary works of Langston Hughes and James Baldwin was the blues. This musical style rose out

Langston Hughes' "Democracy" A number of ideas are expressed -- and buried -- in Langston Hughes' 1949 poem "Democracy." The poem is composed in open form and appears to take its cues from the musical jazz movement of the time period. Its lines are short, often punctuated by abbreviated verses and sudden rhymes that indicate a sense of urgency and immediacy, while vibrating with a strong and insistent timbre and tone.

Langston Hughes Poetry A Reflection of the American Dream in Langston Hughes's Poetry The Harlem Renaissance was an artistic, literary, and cultural movement that emerged in New York, specifically Harlem, shortly after World War I and into the 1930s. One of the most prominent poets to arise from the cultural movement was Langston Hughes. Hughes's poetry explores the generational differences that have emerged and how though it may seem that there have

To combat the power of their oppressive circumstances, many would sing to chase away the blue. This tradition is captured in the " Thump, thump, thump, went his foot on the floor" (22). The song is about oppression and an attempt to be happy regardless of setting. Heritage, history and hope merge together in this poem to explore what the African experience must have been like. Hughes' poetry is also

Langston Hughes method of exposing racism and gender racism in Five Plays is to simply tell it like it is, to show all aspects of black life, good, bad, beautiful, ugly, and everything in between. He depicts forms of racism such as oppression, miscegenation, violence, dishonesty in the name of religion, illegal profiteering playing upon the hopes and dreams of the poor, at the same time he glorifies the love,

Langston Hughes felt that African-Americans should be able to live in freedom in the 20th Century. He saw African-Americans as a vibrant race, full of live, compassion, and love. He didn't approve of complacent people. Because Hughes was at the center of the Harlem Renaissance, he naturally felt that African-Americans should speak up and demand what they want. He felt that African-Americans should be proud of their heritage -- they