The quilt is also strongly associated with the African-American tradition and therefore all the more significant. While the mother and Maggie are capable of actually making the quilts, Dee or Wangero is obsessed with having them and possessing them as a symbol of her identity. Her obsession with everything African is obviously harmful. She believes that emphasizing the past and storing up traditions is what the present is actually made of: "It's really a new day for us. But from the way you and Mama still live you'd never know it."(Walker, 239) the mother and Maggie however understand that the quilts should be used, just like the past should be used as a means to learn and develop in the present. Heritage is thus something that needs to be put to use and understood in the present and not maintained at all costs as a tradition. Significantly, Maggie, in spite of her awkward manner, finally gets the deserved attention from her mother. She also gets to keep...
The quilts, as pieces that used to be employed for the African traditional dress are symbolic because they represent a way of displaying one's identity. Dee is obviously affected by the past and tries to save it by engrossing the African identity which had been so suppressed in the past.
Preserving Family Traditions and Cultural Legacies: Alice Walker’s “Everyday Use” and Individual Identity In Alice Walker’s short story “Everyday Use,” the conflict between a desire for personal fulfillment and the need to honor one’s tradition is dramatized in the conflict shown between two daughters, Maggie and Dee. Maggie has never had a desire to leave home and seems content to live with her mother. Mama is a woman who has grown up
Mama and Maggie's values are simple, their goals mundane yet uplifting at the same time. Dee, on the other hand, is full of spunk and ambition. She views the quilts as if they were anthropological artifacts, remnants not of her grandmother but from some lost civilization. Dee, renamed Wangero, wanted to hang the quilts on the wall like art. Her desire parallels her creative streak and her wacky way
The solid fact that Sister has remained a fixture in the house and should have the greater claim to her mother's attention is dazzled away by the return of Stella-Rondo. The mother's indecision and vacillation is somewhat comic as she continues to insist that "I prefer to take my children's word for anything when it's humanly possible" (5). Deciding which child to believe is her character's conflict. Because Welty
Instead, Wangero continues to only see that her name is a reminder that African-Americans were denied their authentic names. "I couldn't bear it any longer, being named after the people who oppress me" (53). Walker is not by any means condemning the Black Power movement when she challenges Wangero's viewpoint. Instead, she is questioning that part of this movement that does not acknowledge and, more importantly, respect the scores of
By simply concentrating on connecting with their African heritage many failed to understand that their parents and their ancestors who lived on the American continent in general created a culture of their own that entailed elements belonging both to the African continent and to the American one. Most of the short story is about how Dee struggles to find her personal identity by turning to cultural values. While Dee is
Everyday Use by Alice Walker The thematic richness of "Everyday Use" is made possible by the perceptive, and flexible voice of the first-person narrator. It is the mother's viewpoint that permits the reader to understand both Dee and Maggie. Seen from a distance, both young women seem stereotypical - one a smart but rather ruthless college girl, the other a sweet but ineffectual homebody. The close scrutiny of the mother redeems
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