The philosophical implications of her experiences are many, and as the movie is viewed, it is necessary to first frame each part of the story within specific philosophies. Only then can the story be seen as both a personal exploration and realization as well as a philosophic dialogue between Alice's conscious self and world and her subconscious. Without the philosophical lenses provided by many of history's greatest minds, the movie holds much less interest and meaning. Certainly author Lewis Carol did not intend for the story to take on such meaning as previously discussed, but the story of Alice, in her own world is an allegory within an allegory for self-realization and actualization. Each viewer can personally...
Ethics. New York: Bibliolife, 2009.Other cinematic techniques that aided in the telling of the story was simplicity of the focus and frames. With modern computer animation, shots that pan, move in and out, or adjust focus without cuts are now as commonplace in animation as they are in live-action films. The older style of animation, in which backgrounds were often stationary and hardly ever shifted scale without a cut, is actually better suited
While I always found these to be extremely entertaining, I never connected them to the politics of the time. I did catch some of the timeless joked, like Alice stating that in life, "one must either eat or be eaten." I was always quite entertained by the little "nuggets of wisdom" in this book, quotes by all kinds of animals and people. It requires concentrated consideration to really make
But if I'm not the same, the next question is 'Who in the world am I?' Ah, that's the great puzzle!" (Carroll, 8) Carroll uses Alice's experiences as a means to persuading his readers to demand similar questions of themselves. At this juncture, we are unclear on Carroll's motives in altering Alice's perspective. However, as she descends deeper into Wonderland, she finds this knowledge is invaluable for recognizing its inherent
4. Alexandre Gabriel Decamps Figure 8. Alexandre Gabriel Decamps' "The Monkey Painter," 1833. (Source: http://dalihouse.blogsome.com/2007/04/26/beasts-get-the-babes Figure 9. ( Source: http://www.artandpopularculture.com/Image:The_Experts%2C_1837_by_Alexandre-Gabriel_Decamps.jpg) Alexandre-Gabriel Decamps was an artist who often used animals portrayed as human beings to satirize society and especially the formal artistic community of the time. He was opposed to falsity and pretentions and the often biased views of the academic art coterie of the time was a subject of some of his works. This can be
Ideals of Fantasy and Reality According to Descarte and Hume This paper considers what is real and what is fantasy by understanding the ideals of philosophers such as Descarte and Hume. Bibliography cites seven sources. The reality of croquet and the ever moving hoops To become like Alice in wonderland, to seek that which only exists in the mind of our imagination is the dream of every person to bring forth what is
Figure 3. Cover art for Miyazaki's Nausicaa DVD set Source: http://4.bp.blogspot.com/_t68ar0SFX54/SrvMLVUJMyI/AAAAAAAADy4 / Ol1Z06z6YdE/s400/Nausicaa.jpg The economic success of Nausicaa convinced its producers that the market for their type of work was viable, resulting in the explosion of the global manga and anime markets (Schilling, 1997). Launching Studio Ghibli as a framework in which to produce his theatrical follow-up to Nausicaa, Miyazaki's worked on Tenku no Shiro Laputa, another fantasy adventure story concerning a
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now