Alger Hiss and the Hollywood Blacklisting
The 1948 trial of a high level State Department official named Alger Hiss for perjury not only captivated the nation but began a witch hunt that eventually reached all the way from Washington D.C. To Hollywood California. When Alger Hiss was convicted of lying about former Communist associations, this not only proved that he had been involved with Communist groups in the past, but it forced the public to ask whether he was currently a Communist spy. This question of Communist associations would then be asked of many throughout the country eventually leading to an investigation of the film industry. A government inquiry into Communism in the film industry in turn led to the "Hollywood Blacklisting;" where hundreds involved in the industry were denied employment.
Alger Hiss was a Harvard educated lawyer who began working for the U.S. State Department in the 1930's. In August of 1948, an admitted former Communist, Whittaker Chambers,...
"(Miller, 96) However, even if it can appear that Willy's death is a further failure and humiliation, Happy points out at his funeral that Loman had the braveness to pursue his dream to the end, despite the fact that he did not succeed: "I'm gonna show you and everybody else that Willy Loman did not die in vain. He had a good dream. it's the only dream you can have
Willy suffers from the consequences of the internal and external conflicts in his life. One of the antagonists in this story is the false promise of the American Dream, not another person per se. Willy is unable to become rich and show his family his own worth through material possessions, despite his hard work and perseverance, which is a conflict to him because he believed that would happen. He believes
The truth is simply too difficult to accept, so he turns a blind eye to it. For Willy, denial is easier than reinventing a new life. He believes that somehow, he will get an advance and "come home with a New York job" (Miller II.1070-1). He believes he can still get a promotion and never have to "get behind another wheel" (II.1071) again. These beliefs, while they are positive,
Arthur Miller / Lorraine Hansberry The idea of the "American Dream," of achieving material success through one's own efforts, is not merely a constant topic in American literature, it seems to be a fundamental archetype of American national mythology. The autobiography of Benjamin Franklin and the popular stories of Horatio Alger in the 19th century established this motif as central to the American concept of manhood: we can see the precise
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