Overall, the destruction that occurs during this homecoming suggests that war is so destructive to the world and family order that it rends the cosmos. The pre-war home cannot be reconstructed. In contrast, Homer shows a home that can be rebuilt. Unlike "Agamemnon," Odysseus returns to an Ithaca that does not appear to be happy on the surface. But while Agamemnon's home appeared to be happy to the general, it was a fiction created by his wife so she could avenger her daughter. Odysseus' palace is overrun with suitors, vying for the hand of Penelope, his wife. But while Clytemnestra uses her cleverness to trick her husband, Penelope uses her cleverness to trick the suitors. Throughout much of the first few books of the "Odyssey," Odysseus' son Telemachus is shown, trying to find out information about his father's mysterious absence. The wife and son of Odysseus never give up on the king, and remain loyal to the last. Ultimately, the goddess Athena stands by Odysseus, and ensures that he can recreate his home, as he kills all of the suitors and establishes a new relationship...
This is symbolized by his return to the marital bed that he carved with his own hands for Penelope, and his remembering the 'secret' of the bed.
Character and Personality Traits of Agamemnon Agamemnon's virtue of tolerance and liberalism turns out to be his weakness as a king. Aeschylus' play Agamemnon is actually not the first performance of the story. The tale of Agamemnon's return from Troy and consequent death is handled in Pindar, Hesiod, Homer, Stesichorus, in addition to other poets and was quite familiar to the Athenian audience watching Aeschylus. Aeschylus, however, picks and merges these
Achilles, in effort to match his personal loss on a national level, strives to kill Hector, again fueling the economy of revenge, but this time in a far more 'high stakes' manner. Now, the loss of a man will result in the loss of Troy's greatest warrior. But even though Achilles emerges victorious from this struggle, his is an empty victory. He knows that his own death will follow
Gradually the Greek hero recognizes (peripeteia) that his visitors are the hated Greeks who once abandoned him, in disguise. Philoctetes denounces the foul plot and demands back his bow, realizing once again he is alone in the world. (anagnorisis) In Euripides, "Hippolytus," pity and fear (pathos) is evoked by Phaedra's unbridled passion for her stepson Hippolytus. The recognition element of the drama (peripeteia) comes when both Phaedra and Hippolytus see
The imagery she uses also reflects the pain that she experiences as she envisions the murder about to take place and the fact that she too will killed: she speaks of Clytemnestra as a lion: "Vengeance broodeth still, a lion's rage, which goes not forth to kill / But lurketh in his lair, watching the high hall…" Then she speaks of her as a wolf and as a serpent. The
Odyssey/Libation Bearers The Odyssey, which was written by Homer, and the Libation Bearers, which was written Aeschylus are some of the ancient Greek writings that act as classic literature. These writings depict events and tragedies that happened in the traditional Greek society and provide important lessons for modern literature given their classical nature. One of the pertinent passages from the Odyssey by Homer and the Libation Bearers from the Greek
Orestia Ancient legends are known throughout the world and retold in versions generation after generation. Authors take an old story and reimagine it and reinvent it to fit the perspective of their own generation. The first known version of the Agamemnon story comes from The Odyssey. In Homer's book, The Odyssey, the author relates the story of King Agamemnon and his untimely death, as well as the resulting familial tragedy that
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