¶ … adaptation a french Novel Zazie dans le Metro
It is quite clear from even a cursory analysis of chapters of 18 and 19 of Raymond Queneau's Zazie dans le Metro, described as one of the most laughable books originally written in French (Vincendeau, 2011), that the author is describing the events that take place in them in a humorous way. As such, the reader can infer that the actions described in these two chapters, and probably through the remainder of the novel, are not literal and are meant to poke fun at a greater concept. The author's humor is certainly understated, which is why these chapters read more like a satire than a straightforward novel to produce an overall "fun" effect (No author, 1999). It is highly important that in both chapters, a good deal of the humor revolves around women. A closer examination of the author's diction and tone of voice in these chapters reveals that he utilizes women as points of comedy to underscore points that are decidedly more serious.
The best example of this proclivity of Queneau's is found early on in his treatment of one of four female characters in these two chapters, the Widow Mouaque. As the name of this character implies, the author closely associates her with death. Although there are a number of characters who are in fatal danger in chapter 18, she is the only one who dies. It is ironic that of all the male characters that the Widow Mouaque is surrounded with, that she takes it upon herself to solely attack the heavily armed gunmen who are coming to threaten the lives of a group that includes Gridoux, Gabriel, Turandot, Laverdure and the young girl Zazie. When she spots the lead assassin, Trouscaillon, she "showed her intention of pouncing upon the assailants" only to be "cut short by a good volley of machine gun bullets" (Queneau, 1959). The irony in this situation, of course, is that a woman would choose to singly attack a group of well-armed killers -- despite the fact that she was with a group of men (one of whom, the servant, promptly hid at the site of the assassins). Her
humorous writing that still makes the reader stop and think about what they are reading. In "Would Hemingway Get Into Harvard?" The authors, John Katzman, Andy Lutz, and Erik Olson offer up a funny essay about the new SAT writing test. To "test" the test, they use two passages from two of the world's greatest writers, Ernest Hemingway and Shakespeare. Predictably, under the new SAT grading standards, both these writers
However, historians tell us that this is actually not the case. Certainly if one reads Dickens one finds that England of the 19th century was far from familial; some of the materials out of the American Colonial periods show that the family was mostly an iron handed parent and rather aloof father. Just as there is no such thing as an ideal family, the fact of the matter is
2. But I have also had some top-notch guidance bringing me to where I am now: teachers at the culinary institute and role models at my favorite restaurants throughout the world. III. How I will use the award for the benefit of humanity as a whole and myself in particular A. The prestige of the award 1. This is one of the most significant awards in the professional culinary community. 2. I am honored
Not that people should make fun of their own situations, no matter how good or bad, but that humans function better when they can see the humor in every day life. When they begin to understand that humor is all around them, and begin to take themselves less seriously, they can begin to open up to the many other wonderful experiences around them when they otherwise may not have
It is known that the researcher recorded whether or not the subject remembered a given sentence. However, there is no explanation given with respect to partial memory of a sentence. Without that, we can only guess that the researcher used a binary scale (yes/no) to measure whether or not the subject remembered a given sentence. Schmidt and Williams (2001) conducted a study entitled "Memory for humorous cartoons." The purpose of
Another example of scenes -- and characters -- creating both a balance and a contrast between humor and seriousness comes from the Duke and the King. These two characters appear in many scenes of the novel, and their escapades and claims are a definite source of humor (and frustration) in the novel. One of the most poignant scenes in the book, however, is one Huck sees these two finally receive
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