Eastwood marches to his own drummer, often eschewing the Hollywood publicity and attention so many other personalities crave. He lives in Northern California, rarely gives interviews, and avoids the spotlight whenever possible. In fact, his personal of the cultural loner and reluctant hero on the screen seems to fit him perfectly off the screen, as well.
Eastwood's films almost always embody good against evil and the very nature of the perfect hero. Author Smith continues, "Eastwood's movie appears to suggest, in keeping with its general moral message that 'the war is over,' that the hero can indeed return" (Smith 45). All of his films contain this heroic element, even if the endings do not always end "happily ever after" in Hollywood style. Eastwood seems to understand the larger-than-life hero protagonist, and offers many films that embody this heroic figure, from "Flags of our Fathers" to "Unforgiven" and even "Play Misty for Me." His heroes are often unusual, and might seem like anti-heroes, but they win their fight and seem larger than life by doing so.
In addition, many of Eastwood's films have become cultural icons, giving identity and meaning to historic and important occasions. "Unforgiven" is an unforgiving look at the last days of the Old West, while "Flags of Our Fathers" shares an intimate moment in American history, introducing the men behind the famous photograph of Iwo Jima. Even more stylistic is "Letters from Iwo Jima," a look at the war though the eyes of the Japanese soldiers who fought and died on the island, and told entirely through subtitles (a risky move even today for most theater audiences)....
Dave, who is an introverted, haunted, loner, acts out his rage and hurt upon another man having sex with a child prostitute. Sean eventually locates Katie's murderers, who were related to and associated with her boyfriend of whom her father did not approve, but not before Jimmy accuses and kills Dave of Katie's murder because he does not believe Dave's confession of murdering the other man. By the conclusion
He simply cannot escape these expectations. So, when Robert DeNiro takes on a comedic role, such as the role of the potential father-in-law in Meet the Parents, the moment he comes on the screen, the audience is aware that he is Robert DeNiro, in addition to the character that is being portrayed. Therefore, his character can do things that other characters could not. Who but Robert DeNiro could portray
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