He has incredible powers and strength, and out of all the many ways villains try to hurt him, they always fail because in the end, what can hurt him is a piece of a rock. Batman, as Bruce Wayne, has powerful lineage, just the Greek heroes. He may not be descended from the gods themselves, but there still exists a comparable mythology around him. His parents, but particularly his father,

Hero with 1,000 Faces The classic hero seems to teach us the value of humanity, while helping us strive for excellence by understanding the value of the experiences rendered through intuition, emotions, and often feelings that are special to the hero -- often rather than logical reasoning. The paradigm of heroism transcends genre, chronology and has become so common in the human collective consciousness that it is easily recognized and repeated

Mythology The classical myths of Greece and Rome have much in common with medieval myths, because ultimately, all myths have elements in common. The Greek and Roman myths dwell most often on heroes, Gods, and Goddesses. Their characters are larger than life - someone the reader can look up to. Medieval myths also heavily rely on heroes who commit heroic deeds, such as Charlemagne and King Arthur. One difference is many

Myth Peter Jackson's Lord of the Rings follows the basic concepts and structures of classical mythology, including having heroes who embark on journeys of self-discovery, and those journeys of self-discovery are often thrust upon them. For example, Odysseus in Homer's Odyssey did not want to get thrown off course after the Trojan War. It was Athena and Poseidon's fighting that led to Odysseus's fateful storm that caused him to flit from

With respect to the mythology of the male gods, Zeus, Apollo, and Hephaestus seem to be a combination that matches the dynamism of their female goddess counterparts. These gods represent the good and the bad of males; they also represent the spectrum of power and balance of male energy. There is no one god or goddess myth that I feel fully represents the tension between male and female gods because

"Yeats's flight into fairyland begins in his early childhood with Celtic folklore, 'the chief influence of [his] youth,' and climaxes in his early twenties with the 1888 publication of his first book" (Ben-Merre 2008). Yeats was commissioned to "gather and record the fairy and folk tales of the Irish peasantry" in what eventually became Fairy and Folk Tales of the Irish Peasantry (Foster 76). "The collection includes descriptions of