Stanley Kubrick’s 1968 film 2001: A Space Odyssey is a masterpiece in the science fiction genre. Based on a story by Arthur C. Clarke, the film epitomizes the features of science fiction, including an overarching theme questioning the role of humanity in the universe. The film could just as well be classified as an epic, given its length and breath, as it begins with the origin of human beings through a depiction of evolution from primates, through the story of a space mission occurring millions of years later. Plot practically takes a back seat to cinematography and design in 2001: A Space Odyssey, in which Kubrick employs multiple cinematographic tools including music, mise-en-scene, editing, lighting, design, and script elements.The mise-en-scene in 2001: A Space Odyssey is simply extraordinary, because each image captures the tension and existential angst that pervades the movie. Because the bulk of the film takes place in space, a place with no natural source of light, Kubrick achieves his cinematographic goals by judiciously employing chiaroscuro. In several scenes, the darkness plays as much of a role as the light. When Dave is about to disconnect Hal, he walks through different portions of the ship, some of which are well-lit, others of which are dark. The contrast between light and darkness parallels themes of good and evil in the film. In a previous scene, Hal has locked Dave outside, an act that could kill the man. To show the magnitude of the situation, Kubrick opts for a mise-en-scene that...
Doing so depicts how tiny the escape pod is compared with the main part of the ship, and also reveals the deep, dark vastness of space in which they are adrift. These scenes can be directly contrasted with those at the “dawn of man” sequence in the beginning of the film, when Kubrick uses a sepia toned filter to signify elements in the distant past; sepia being the color of old photographs.
Strangelove, put him over the top" (p. 61). The learning curve was clearly sharp for Kubrick, and he took what he had learned in these earlier efforts and put this to good use during a period in American history when everyone was already ready to "duck and cover": "The film's icy, documentary-style aspect served not only to give the movie its realistic edge that juxtaposed nicely with its broad
Kubrick's 2001: The Medium Is The Message As Stanley Kubrick himself asserts, "2001 is a nonverbal experience; out of two hours and nineteen minutes of film, there are only a little less than forty minutes of dialog" (Nordern 47). Nothing is more evocative of the silence of which Kubrick speaks than the black monolith at the center of events in 2001: A Space Odyssey. It is the ultimate promoter of change,
Kubrick Stanley Kubrick: An Analysis of His Life and Work Biography Stanley Kubrick, who many would describe as one of the greatest filmmakers every, was born in 1928 in the Bronx, New York. Believe it or not many would say that Kubrick was not a born writer or filmmaker, but rather one that was made. This is the result of some less than spectacular early attempts at writing and filmmaking. Though Kubrick did
An example is when Antonia rides his bicycle to hang up posters and advertisements for the cinema. A large image of the American film star Rita Hayworth provides an ironic and telling contrast between the glamour and wealth of Hollywood and America and the lives of the ordinary people in postwar Italy (Ebert, 1999). There are many reasons why this film has been critically acclaimed. As one critic notes; "
Kubrick An Analysis of the Evolution of Kubrick's Technique in His Early Films In contrast to his later films (A Clockwork Orange, Full Metal Jacket, Eyes Wide Shut), the films of Stanley Kubrick's early career may be seen as far more conventional in terms of plot, camera work, and realism. While such pictures as "Day of the Fight" and Fear and Desire are by no means reflections of the director's early innocence
Stanley Kubrick’s 1968 film 2001: A Space Odyssey is a masterpiece in the science fiction genre. Based on a story by Arthur C. Clarke, the film epitomizes the features of science fiction, including an overarching theme questioning the role of humanity in the universe. The film could just as well be classified as an epic, given its length and breath, as it begins with the origin of human beings through
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now