Henri Matisse -- Western Tradition
HENRI MATISSE:
FAUVISM AND THE WESTERN PICTORIAL TRADITION
Henri Matisse (1869 -- 1954), a painter, draughtsman, sculptor, printmaker, designer and author, came into the world of art comparatively late in his life and made his reputation as the main exponent of Fauvism, the first avante-garde artistic movement of the 20th century. As Jacques Lassaigne points out, Matisse "never ceased probing the mystery of the creative process and applied an intelligence far above the average to discovering the origins of his art. . . (15). Thus, Matisse created images full of spontaneity with rich surface textures, lively linear patterns and boldly clashing effects based on primary colors. Also, his subject matter was varied as his painting methods, although many familiar subjects linked to Impressionism and Post-Impressionism still remained.
It is relatively simple to understand how Matisse escaped from the confines of the Impressionists, for all one has to do is view his paintings and explore with the eyes all the subtle and beautiful manifestations within his Fauvist renderings. But in regard as to why he decided to adopt the Fauvist philosophy is less understood unless one listens to the words of Matisse himself -- "What I am after, above all, is expression. . . I am unable to distinguish between the feeling I have for life and my way of expressing it. . . The whole arrangement of my picture is expressive. . . everything...
Art, Picasso, Matisse, Diego Rivera Life had placed Picasso, Matisse and Rivera with three different starts. Of them, Picasso is the most renowned. His name was a mouthful - Pablo or El Pablito Diego Jose Santiago Francisco de Paula Juan Nepomuceno Crispin Crispiniano los Remedios Cipriano de la Santisima Trinidad Ruiz Blasco y Picasso Lopez. He was born in 1881 in Malage, Spain and is considered as the father of cubism
classic view of the Matisse/Picasso rivalry is that these two artists were the equivalent of the odd couple of TV fame (Milroy). A staff writer for New York Newsday, Ariella Budick, describes the typical opinion of these men as "a pair of complementary opposites." Textbooks tend to bolster this point-of-view. Modern Art (Hunter and Jacobus) places its discussion of Matisse in a chapter entitled "Expressionism in France" and puts
In effect, Matisse is "at home" in his studio. He is comfortable there, and somehow, this feeling of comfort is conveyed by the painting. Matisse noted that freedom is "not following the same road" and his work certainly does not do that. He painted what he felt, rather than what he actually saw, and sometimes these emotions were so strong on the canvas that they put off critics and potential
Museum Paintings Fauvism in 20th-century Paintings The medium I have selected for the time line I will be working on for the museum website is 20th-century Western painting, sharing the common theme of Fauvism. th-century Western painting began with the weighty influence of painters like Paul Gauguin, Vincent van Gogh, Georges Seurat, Henri de Toulouse Lautrec and the like - all of whom played critical roles in shaping the modern art. At the
Matisse and O'Keeffe: Modern Artists with Talent and Connections What Paul Johnson calls fashion art in the 20th century grew out of the experimental and impressionistic work of the late 19th century. It may be said to have originated with Picasso and Braque and Cubism, which helped launch a number of techniques and movements, such as Abstractionism and Surrealism. Like Picasso and Braque, Henri Matisse had connections with the rich American
Art The Painting Techniques of the Impressionists, Cubists, and Fauvists During the late nineteenth and early twentieth centuries art styles were changing rapidly in France. Impressionism, Cubism, and Fauvism were three of the styles developed during this time. The painters involved were using new techniques with oil paint to change what was accepted as fine art. Their new techniques reflected societal changes happening all around them. The Age of Industrialization, economic fears,
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