¶ … 20th century humanities or modernism is the assumption that the autonomy of the individual is the sole source of meaning and truth. This belief, which stemmed from the application of reason and natural science, led to a perpetual search for unique and novel forms of expression (Keep, McLaughlin, & Parmar). Thus, it is evident that modernism discarded the Renaissance period's interest in the classical tradition and universal meaning, in favor of a belief in the individual.
The influence of naturalism on modernism is highly evident in its humanistic philosophy, especially in Jean-Paul Sartre's philosophical school of thought, existentialism. In a radical departure from the classical belief in a purposeful universe, created and governed by God, Sartre set out to disprove the existence of God, while simultaneously establishing that only individual free will can define or change the essence of being (Wyatt, 2004). The same emphasis on naturalism and the individual spirit can be seen in the impressionist school of painting. For example, Edouard Manet's Luncheon on the Grass departs from the classical emphasis on formal arrangement to suggest new, more naturalistic, possibilities in the use of light and color in open-air painting (Pioch, 2002).
Modernism's departure from tradition to focus on individuality is evident in modern literature and
20th Century Architecture Architecture in the 20th Century As said by a famous spokesperson, architecture aims at eternity. Throughout history, architecture has always asked for creativity and coordination from those who possess the skills to excel in this field. Throughout the course of the nineteenth century, architecture had very little to do with industrial activities and rather was only concerned with structures and monuments which symbolised the pride of a country or
Moreover, both viewed the distinctive opportunities afoot in helping the world to define itself along either capitalist or communist lines. To this extent, the period following World War II may actually be defined as a transitional phase necessary encumbered by brutal conflict. The end of feudalism and colonialism in Europe, marked most officially by the end of the WWII and the need for each European nation to look inward
Television. Perhaps as no other medium in the history of humankind, television became such an integral part of the human condition during the latter part of the 20th century that no one today can likely imagine what life would truly be like without it. Television has certainly had a major impact on American society (Chalkey, 1993). Although many children and adults are spending more time on the computer than watching
S.A. should intervene to this conflict mainly to insure its positions in the region and to provide "humanitarian aid" to local population struggling for independence. As a result this war turned into war against all Spanish possessions in the Western Hemisphere (including Guam, Puerto Rico and Philippines in the Pacific). The declaration of war to Germany had a lot of similar premises to the war with Spain. First of all the
Even the success in the Spanish American war of 1898, which turned the U.S.A. into a "young empire" as it received such possessions as Puerto Rico, Guam, Philippines and unlimited control over "independent" Cuba didn't make the U.S.A. A world power, as the world politics until 1918 took place mainly in the Old World. High economical potential, which the U.S.A. acquired, by the beginning of the World War allowed it
20th Century Art History's Response To New Technology While Norman Rockwell's 1949 magazine cover "The New Television Set" suggests both delight and humor to the viewer, in portraying the confusion of middle-class Americans faced with new technological innovations, Edward Hopper's 1940 oil on canvas work "The Office at Night" and "The Family-Industry and Agriculture" oil of printmaker Harry Sternberg (1939) suggest a much darker version of human beings' collective response to
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