Art
Five notable 20th century artists
The nature of 20th century art was profoundly challenged by the sudden ubiquity of apparently 'objective' media such as the motion picture, photography, and standardized graphic advertising. How could art be deployed effectively in the face of such representation? If art was no longer needed to physically capture the past, what was its use? The answer posed by the plastic arts was that art must look inward, and capture the soul of the artist, rather than objective reality. This new focus on the inwardness of art soon extended itself into other media, of performance as well as static at The rise of psychology in the popular imagination and consciousness provided the 'answer' of inwardness to this potent question possible. A new internal soul-searching had entered the common and uncommon artistic imagination. Rather than represent reality, the inner life of the artist came to the forefront. One of the first artistic movements to bring such internal life and dreams of the artist to the forefront was Surrealism. Salvador Dali's "The Persistence of Memory" illustrates an internal vision of the artist, a dream of Dali's inner self, but in a relatively realistic style.
The Persistence of Memory" as an enclosed work is cool in its emotive tone, even humorous in its mockery of capitalism and modern life's obsession with time. It depicts melting clocks in the wilds of a desert. It is a vision that both speaks to psychology's impact upon art because it is something of the artist's internal rather than external reality,...
20th Century Art History's Response To New Technology While Norman Rockwell's 1949 magazine cover "The New Television Set" suggests both delight and humor to the viewer, in portraying the confusion of middle-class Americans faced with new technological innovations, Edward Hopper's 1940 oil on canvas work "The Office at Night" and "The Family-Industry and Agriculture" oil of printmaker Harry Sternberg (1939) suggest a much darker version of human beings' collective response to
Ballet George Balanchine and Serge Diaghilev were similar and yet different in various ways. For instance, both were prominent figures in the 20th century: they worked together in the Ballets Russes for five years in the latter half of the 1920s; Balanchine was the choreographer and ballet master, Diaghilev the promoter. Diaghilev had staged works, too, and is regarded as a pioneer in the field -- uniting new music and modernist
20th Century Genius The Genius of the 20th century, whose work and artistic contribution can be classified in both the Age of Modernism and the Age of Pluralism, is artist and social commentator Pablo Picasso. Picasso is a genius because he helped create an entire new art form through his modern artwork, but he also was an individual not content to simply work as an artist. His works also reflected
His paintings were and are provocative because, instead of using personal confessions (like Dali), he uses irony and wit and intelligence to make his point hear. "The Treason of Images" is controversial in the sense that it makes the viewer question art and language and the meaning that we apply to objects. Magritte questions the assumptions made by people about the world, changing the scale of objects and defying
20th century humanities or modernism is the assumption that the autonomy of the individual is the sole source of meaning and truth. This belief, which stemmed from the application of reason and natural science, led to a perpetual search for unique and novel forms of expression (Keep, McLaughlin, & Parmar). Thus, it is evident that modernism discarded the Renaissance period's interest in the classical tradition and universal meaning, in
Henri Matisse -- Western Tradition HENRI MATISSE: FAUVISM AND THE WESTERN PICTORIAL TRADITION Henri Matisse (1869 -- 1954), a painter, draughtsman, sculptor, printmaker, designer and author, came into the world of art comparatively late in his life and made his reputation as the main exponent of Fauvism, the first avante-garde artistic movement of the 20th century. As Jacques Lassaigne points out, Matisse "never ceased probing the mystery of the creative process and applied
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