Stanley Kubrick’s 1968 film 2001: A Space Odyssey is a masterpiece in the science fiction genre. Based on a story by Arthur C. Clarke, the film epitomizes the features of science fiction, including an overarching theme questioning the role of humanity in the universe. The film could just as well be classified as an epic, given its length and breath, as it begins with the origin of human beings through a depiction of evolution from primates, through the story of a space mission occurring millions of years later. Plot practically takes a back seat to cinematography and design in 2001: A Space Odyssey, in which Kubrick employs multiple cinematographic tools including music, mise-en-scene, editing, lighting, design, and script elements.The mise-en-scene in 2001: A Space Odyssey is simply extraordinary, because each image captures the tension and existential angst that pervades the movie. Because the bulk of the film takes place in space, a place with no natural source of light, Kubrick achieves his cinematographic goals by judiciously employing chiaroscuro. In several scenes, the darkness plays as much of a role as the light. When Dave is about to disconnect Hal, he walks through different portions of the ship, some of which are well-lit, others of which are dark. The contrast between light and darkness parallels themes of good and evil in the film. In a previous scene, Hal has locked Dave outside, an act that could kill the man. To show the magnitude of the situation, Kubrick opts for a mise-en-scene that...
Doing so depicts how tiny the escape pod is compared with the main part of the ship, and also reveals the deep, dark vastness of space in which they are adrift. These scenes can be directly contrasted with those at the “dawn of man” sequence in the beginning of the film, when Kubrick uses a sepia toned filter to signify elements in the distant past; sepia being the color of old photographs.
The film shows that human beings unlike the robots were way too dependent on habits and routines that make people unfocused causing people to not be able to make their own decisions (Barnes). Later on, when Wall-E ends up by accident bumps into one of the women, she understands that her attires have transformed into a different color and that she lastly opens her eyes and observes everything from
An example is when Antonia rides his bicycle to hang up posters and advertisements for the cinema. A large image of the American film star Rita Hayworth provides an ironic and telling contrast between the glamour and wealth of Hollywood and America and the lives of the ordinary people in postwar Italy (Ebert, 1999). There are many reasons why this film has been critically acclaimed. As one critic notes; "
Stanley Kubrick’s 1968 film 2001: A Space Odyssey is a masterpiece in the science fiction genre. Based on a story by Arthur C. Clarke, the film epitomizes the features of science fiction, including an overarching theme questioning the role of humanity in the universe. The film could just as well be classified as an epic, given its length and breath, as it begins with the origin of human beings through
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the "studios"
Essay Topic Examples 1. The Evolution of Color Symbolism in Cinema: From Black and White to Full Spectrum: Explore the transition of symbols conveyed through color as the film industry has moved from black and white films to color cinema. Examine the different meanings that various colors evoke in film viewers, how directors use color to enhance storytelling, and what specific colors have come to symbolize in different film genres. 2. Archetypes and
Strangelove, put him over the top" (p. 61). The learning curve was clearly sharp for Kubrick, and he took what he had learned in these earlier efforts and put this to good use during a period in American history when everyone was already ready to "duck and cover": "The film's icy, documentary-style aspect served not only to give the movie its realistic edge that juxtaposed nicely with its broad
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